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Position |
Senior Coordinator, Student Mobility |
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School / Work Unit |
Education Abroad & Client Relations |
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Contact Details |
+(61 3) 9925 2952 |
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Location |
15.1. |
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Portfolio |
International Services |

Susie took a while to figure out what she wanted to be when she grew up, and after having spent years immersed in academic libraries fossicking for material for her doctorate, it finally dawned on her that she should be a librarian! While finishing her PhD. in the Department of Political Science at the University of Melbourne, Susie tutored in politics, had a stint in university administration, roamed the galleries of Melbourne Museum as a customer service officer, worked a lending services officer at the Australian Centre for the Moving Image film library, and then enrolled in the GDIM at RMIT, which secured her a librarian position at City Library. Here, she worked as the Multicultural Services Librarian, managing the Chinese, Indonesian and Vietnamese collections. She was also coordinator of Yarra-Melbourne Libraries’ community development project, researching strategies for engagement with newly arrived communities.
Susie’s research interests lie in the broad areas of cultural and postcolonial studies and her doctoral thesis pursues an interdisciplinary approach to these fields. In it, she examines a specific moment in nineteenth-century British imperialism, which she calls the ‘spectacularization of race.’ This refers to the phenomenon of colonized people who were ‘imported’ to Europe and North America to be publicly displayed in a variety of exhibitionary arenas, including freak shows. Initially, she set out to uncover the narratives injected into British exhibitions of colonized peoples through empirical analyses of Africans-on-display. However, it became obvious that while these episodes are anchored in time and place, the racial stereotypes they highlight reveal both ancient roots and contemporary resonances. The raison-d’être of her work thus shifted from simply unearthing the stories of ‘spectacularized Africans’ to examining how racial stereotypes repeat and transform through history. Defining the stereotype as a major discursive device in ideological constructions of social groups and categories according to perceived notions of ‘normality,’ Susie ultimately deduced that stereotypes function like cultural narratives or myths, and should be studied accordingly. This idea unravelled over the course of a time consuming journey through the history of exhibitionary culture and public institutions like museums, libraries and department stories, and a labyrinth of complicated discourses, including psychoanalysis, anthropology and critical theory. What has emerged from this approach is a novel interpretation of the centrality of stereotypy to identity formation and conceptions of social cohesion, as well as a comprehensive socio-political analysis of the development in modernity of commodity culture, the entertainment industry and public institutions.
“Inscribing the Hottentot Venus: generating data for difference,” in At the Edge of International Relations: Postcolonialism, Gender and Dependency, ed. Phillip Darby, London and New York: Continuum, 2000: 86-105.
Mon-Fri, by appointment.