The RMIT University Art Collection serves as both a repository for education and research, and as a source of inspiration. Encompassing some of the finest examples of modern and contemporary art in Australia, the values first adopted at the founding of RMIT University as the Working Men's College, "a skilled hand, a cultivated mind", resonate through the collection.
Over the years it has become something of a cultural barometer, demonstrating the evolution of artistic style, thought and technique across decades and generations. At the same time, it has reflected the University's commitment to its - and Australia's - cultural history. It tells the story of RMIT through the creative endeavours of its staff and alumni, and that of external artists whose work mirrors the University's own ideals and aspirations.
RMIT began acquiring art in 1887, but it was in the 1970s, under Lindsay Edward, head of the Art Department, that the importance of a significant collection was recognised. This initiative led to the purchase of works by key artists like John Brack, Leonard French and Roger Kemp, forming the collection's core. The collection grew through amalgamations with Phillip Institute of Technology, Coburg Teachers' College, and Emily McPherson College, along with notable donations.