1999

Telstra presents the 15th National Aboriginal and Torres Strait Islander Art Award

RMIT Gallery
25 November 1999 - 29 January 2000

The 15th National Aboriginal and Torres Strait Islander Art Award (NATSIAA) is a national exhibition celebrating developments within contemporary indigenous Australian art practice.

NATSIAA has been, and continues to be one of the most prestigious and important annual events within the visual arts calendar. This year’s award and exhibition is notable because for the first time an urban-based artist has won the Telstra First Prize. Artist Jody Broun won for the painting titled Whitefellas Come to Talk Bout Land. The Judges; Professor Howard Morphy and Doreen Mellor, commended the visual strength of Whitefellas Come Talk Bout Land, with its dramatic colouring of red earth beneath a glaring blue sky and the unusual fish eye lens perspective used by the artist, a reference to aerial perspective of Western Desert style painting.

Among the winners of the media category prizes is well known artists Eubena Nampitjin, winner of the Telstra Open Painting Award for her luminous work Wiritji Rockhole. An emerging artist Wukun Wanambi is the winner of the Telstra Bark Painting Award for his painting on bark. Michael Anning won the Wandjuk Marika Memorial Three-Dimensional Award for his Rainforest Shields and Swords, evidence of the revival of the near forgotten artistic traditions of the north Queensland rainforest groups.

Artists: Paddy Fordham Wainburranga, John Mandjuwi Gurruwiwi, Galuma Maymuru, Sheena Wilfred Huddleston, Peggy Napangardi Jones, Yala Yala Gibbs Tjungurrayi, Daisy Napaljarri Jugadai, Mary Kunji, Joanne Currie Nalingu, Pijaju Peter Skipper,  Narputta Nagala, Gordon Hookey, Ray Thomas, Jean  Baptiste Apautimi, Vincent Serico, Julie Dowling, Inyuwa Nampitjinpa, Deceased Artist, Kathleen Petyarre, Ray James Tjangala, Boxer Milner, Nikki McCarthy, John Wilson, Gali Yalkarruiwuy, Mick Kubarkku, Brenda Palma, Carol Rontji, , Brenda L Croft, Darren Siwes, Judy Watson, Rosella Namok, Peter Datjin Burrarrwanga, Loft Bardayal Nadjamerrek, Janangoo Butcher Cherel, Sylvia Mulwanany and Laurie Nona.

NATSIAA seeks to promote appreciation and understanding of contemporary indigenous Australian Art in its diversity throughout Australia by exhibiting the best contemporary art by both emerging and established artists and by maintaining excellence in the selection and judging of entries.

This exhibition is a rare forum of 41 works profiling the diversity of indigenous art and culture in an array of styles, media and techniques from the remote regions of Northern and Central Australia to the rural and urban centres of Australia.  Themes include local mythologically based narratives along with contemporary issues such as Native Title and the Stolen Generation.

A Museum and Art Gallery of the Northern Territory Travelling Exhibition.

Architectural works of Marion Mahony and Walter Burley Griffin in Australia

RMIT Gallery
11 October - 13 November 1999

An exhibition of the architectural drawings, plans and models; interior detailing, furniture and photographs which present the Australian work of the esteemed architects, Marion Mahony and Walter Burley Griffin.

Buildings featured include Newman College, University of Melbourne, the Capitol Theatre and the Cafe Australia, Melbourne. This timely exhibition marks the recent purchase by RMIT University of the Capitol Theatre. The planned refurbishment is an example of RMIT’s commitment to the cultural life of the City of Melbourne through responsible management of the historical architectural assets.

Drawn from an exhibition developed by the Powerhouse Museum, Sydney. Presented in association with the 1999 Melbourne International Festival.

Moet & Chandon Touring Exhibition

RMIT Gallery
20 August - 25 September 1999

This is an annual national touring exhibition, acquisition fund and major award: a sounding board for contemporary ideas, visions, and commentaries.

Artists: Brook Andrew, Robert Bridgewater, Kirsten Burford, Penelope Davis, Carolyn Eskdale, Mark Galea, Alex Grawronski, Julia Gorman, Katherine Huang, Stephen little, Xiao Xian Liu, Sally Mannall, Christine Morrow, David Noonan, David  Rozetsky, Deborah Paauwe, David Sequeira, Kathy Temin (selected as the 1999 Fellow) Justene Williams, Paula Wong and Louiseann Zahra.

Under the patronage of the Moet and Chandon Australian Art Foundation, Suppotrted by the Grand Mecure Hotel, Mount Lofty House, Hotels Sofitel and Novotel and Ansett Air Freight.

TALENTE ’99 Australia

RMIT Gallery
1 July - 7 August 1999

A part of the annual Munich International Craft Fair, Talente’99 is a major award and forum to showcase young designers’ work to a large European audience.

Gin-Minn Chau, Rebecca Davey, Stevie Feildsend, Ian Hope (awarded the Bavarian State Prize), Kelly McDonald, Yoko Osawa, Vanessa Raimondo, David Ray, Benjamin Sewell and Vicky Shukuroglou were selected to represent Australia by an international jury.

Australian commissioner: Craft Australia. This project was assisted by the Australia Council.

Saying it With Flowers

RMIT Gallery
1 July - 7 August 1999

“…a flower is a sign of beauty which nature offers. But the beauty of a flower becomes a sign, and this becomes significant by the alteration of that flower’s nature…” (Edward Colless)

Using floral motifs as a symbolic image is a long established artistic cross-cultural tradition. Irene Barberis and Wilma Tobacco’s installations focus on floral motifs and the gradual loss through time, of the importance of symbolic meanings. Barberis alludes to the redemption of corrupt nature through lifting veils of historic meaning in search of truth. For Tobacco, nature cannot transcend its worldliness.

Porous Culture Collaboration & Change

RMIT Gallery
14 May - 19 June 1999

Images of exploration and colonial expansion have informed collaborative works by artists in Broadmeadows – Australia, Xian Yang – China, and Istanbul – Turkey.

Artists: Geng Jian, Geoff Hogg, Miao Chogan, Marina Baker, Zhou Xiaoping, Simon Perry, Dr Sherchin Baykal, Civan Camdal, Enver Camdal, Dr Dou Zhonghua, Wen Jun, Fusan Changlayan, Cevat Yucel, Jane La Motte, Ma Yumei, and Colin Borgaars.

The exhibition is supported by the Northern Metropolitan Resource Centre, Melbourne, and the Artist’s Association of Xian Yang, China.

Coordinated by Geoff Hogg.

Yellow Earth Black Hole

RMIT Gallery
14 May - 19 June 1999

While crossing the Shanxi and Shaanxi Provinces with Chinese artists on a 1997 Asialink residency, Gregory Pryor became intrigued by evidence of subterranean activity.  In response he assembled a string of words and images, to understand that tiny pocket in a vast country.

Imagined Landscapes The Tasman Map Reconfigured

RMIT Gallery
14 May - 19 June 1999

A collaborative project by artists Steven Goldate and Damon Moon, which draws on the history of the Dutch explorer Abel Tasman’s 1640’s voyages and the development of Delft pottery.

Moon’s Indonesian residency has deepened these artist’s understanding of the region, and the combining of this experience with research utilising high-end 3D modelling has resulted in large format digital prints and 3D objects.

List Structure

RMIT Gallery
4 May - 19 June 1999

Building on their shared fascination for the way in which history is reclaimed and revised through haphazard acquisition and archive, Charles Green and Lyndal Jones (who work together as one artist) and Patrick Pound present as exhibition of collaborative works. Large photographic diptychs were made by Green/Brown during their 1997/8 Asialink residency at Sanskriti, India. The collaborative works made with Pound represent a post-India outcome and are encyclopaedic in content.

Dimensions of Design – 100 Classical Seats

RMIT Gallery
26 March - 1 May 1999

Miniatures of famous chairs by designers including Frank O. Gehry, Le Corbusier, Thonet, Arne Jacobsen, Frank Lloyd Wright, Charles and Ray Eames and Philippe Starcke, chronicle the chair’s development from cottage craft, through mass production and the modern movements, to contemporary trends.

Curated by Vitra Design Museum, Germany.

Presented by the Goethe Institut, Melbourne.

Stanhill: 14 images by Wolfgang Sievers of Frederick Romberg’s Stanhill Flats, 1951.

RMIT Gallery
26 March - 1 May 1999

Photography’s unique ability to reveal ‘the idea behind or within’ the architecture of Modernism, is strikingly portrayed in Sievers’ 1951 heroic documentation of the Melbourne building, Stanhill.

Curators: Helen Stuckey, Harriet Edquist and Vanessa Bird

Sponsored by RMIT School of Architecture and Design.

The Danish Wave

RMIT Gallery
26 March - 1 May 1999

Drawings, models, objects and photographs of buildings and products organised around 3 hallmarks of Danish building and design culture: a democratic approach, response to and inclusion of the needs and customs of all socio-economic groups; a commitment to craftsmanship; a regional sensibility and a concern for the environment.

Curators: Eric Messerschmidt and Kim Paulsen

A touring exhibition by the Danish Cultural Institute, supported by the Royal Danish Embassy, Canberra, and the RMIT School of Architecture + Design.

Bruno Benini: Fashion Images 1959 – 1976

RMIT Gallery
12 February - 13 March 1999

Bruno Benini has captured the dramatic changes in style and the evolution of fashion photography, from the 1950s view of the model as glamour icon, through the active, carefree approach of the ‘60s to the wild, psychedelic ‘70s.

Curator: Robyn Oswald-Jacobs

Supported by Sportsgirl, Sportscraft Group, Frances Burke Textile Resource Centre, RMIT University and Edges Framing Gallery, Elsternwick.

LOOK AT ME: LEIGH BOWERY

RMIT Gallery
5 February - 13 March 1999

This multimedia exhibition is about the life and work of Melbourne-born artist, Leigh Bowery (1959 – 1994).  Jointly curated by Robert Buckingham (Creative Director, Woolmark Melbourne Fashion Festival) and Rachel Young (RMIT Gallery), it traces the work of Bowery, his influence on contemporary fashion, art and performance.

The exhibition will feature photographic material documenting Bowery’s development as an “art object”, film footage of his performances featuring his costume designs and a selection of his garments.  Designed by Melbourne architect, Randal Marsh, “Look at Me” will use multi-media to capture the atmosphere of Bowery’s infamous London nightclub, Taboo.

Performance artist, fashion designer, nightclub sensation, pianist, artist’s model for Lucien Freud and inspiration for fashion gurus including Vivienne Westwood, Jean Paul Gaultier and Alexander McQueen,  Bowery traversed the worlds of fashion, art, film and music.  Born in the Melbourne suburb of Sunshine, he moved to London in 1981 where he began making clothes as a masquerade to obscure his own appearance.  His extraordinary fashion sense was not commercially viable so he used himself and his body as an art work – using paint, make-up, piercing, costume and physical distortion to create a human exhibition.

Bowery’s mantra “dress as though your life depends on it, or don’t bother” made him famous and this exhibition is an exploration of a larger that life character who inspired anarchy in fashion.

Curators: Robert Buckingham and Rachel Young

aboriginal flag float-start torres strait flag float-start

Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.

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