Francesca Rendle-Short is an Associate Professor of Creative Writing in the School of Media and Communication, Deputy Dean Communication, Co-Director of WrICE and non/fictionLab.
Francesca is an award-winning novelist, memoirist, essayist and poet. Her books include the critically acclaimed memoir-cum-novel Bite Your Tongue, the novel Imago, and anthologies The Near and The Far (Scribe Publications, 2016; co-edited with David Carlin), and Press: 100 Love Letters (University of Philippines Press, 2017; co-edited with Laurel Fantauzzo). She is also co-author of a limited edition book composed out of iPhone notes with Martina Copley called No Notes (This is writing). Her work has appeared in anthologies, literary journals, academic journals, online and in exhibitions including TEXT, New Writing: The International Journal for the Practice and Theory of Creative Writing (Taylor & Francis), Life Writing (Taylor & Francis), The Lifted Brow, Best Australian Science Writing (NewSouth), Just Between Us (Pan Macmillan), Overland, Bumf, Rabbit, Killing the Buddha, Margaret Lawrence Gallery, Queensland Historical Atlas, and The Essay Review (Iowa). Her artwork is in the collection of the Queensland State Library.
Francesca is interested in a research practice that seeks to subvert normative practices. She is intent on developing a scholarly praxis that pays attention to form as well as content - voice, style and structure - one that is idiosyncratic and playful in nature, attentive to whimsy and transgression, and is experimental. She is co-founder and co-director of the non/fictionLab in the School of Media and Communication, a research group that explores and articulates the value of 'thinking through making' and WrICE (Writers Immersion and Cultural Exchange) an acclaimed international collaborative residency program bringing together writers from around the region including Malyasia, Singapore, Hong Kong, Vietnam, Myanmar, Indonesia, Papua New Guinea, the Philippines, China, and Australia. Francesca has initiated and continues to lead numbers of industry-focused integrated scholarship projects and programs such as The Gazette in conjunction with Emerging Writers' Festival, intercultural writing and publishing studios and study tours (she was awarded New Colombo Fund money to take students to China in 2017), and a City of Melbourne Knowledge Week initiative with creative writing students from HE and VE as RMIT Writing Ambassadors.
Francesca has a Doctor of Creative Arts from the University of Wollongong, was the recipient of an International Nonfiction Writers' Fellowship at the University of Iowa, USA, and was showcased in the 2015 Outstanding Field at Victoria College of Arts, University of Melbourne.
Personal website: francescarendleshort.com
Francesca Rendle-Short is Deputy Dean Communication. She is co-director of non/fictionLab and WrICE. She supervises Masters and PhD research students including PhD students enrolled in PRS Asia.
Francesca is interested in nonfiction studies, collaborative practices, experimental and queer writing.
Francesca is a registered supervisor and supervises a range of research students at Honours, Masters and PhD level. Her students focus on projects in creative practice.
Doctor of Creative Arts (DCA), University of Wollongong
Bachelor of Education (BEd), University of New England
Diploma of Education (DipEd), University of New England
Bachelor of Arts (BA), University of New England
- Rendle-Short, F.,Taylor, S.,Aung Thin, M.,Scott, R. (2017). #STREATstories: Mapping a creative collaboration In: Text: Journal of Writing and Writing courses, 21, 1 - 18
- Rendle-Short, F. (2017). Essay (queer). The. Essay. Queer. And. All. That In: TEXT Special Issue Series, 39, 1 - 12
- Rendle-Short, F. (2016). Not/knot father: Alzheimer's, nonfiction and writing the father In: Life Writing, 13, 375 - 385
- Rendle-Short, F. (2016). Parsing an ethics of seeing: interrogating the grammar of a creative/critical practice In: New Writing, 13, 234 - 246
- Carlin, D.,Rendle-Short, F. (2016). In the company of: composing a collaborative residency programme for writers In: New Writing: The International Journal for the Practice and Theory of Creative Writing, 13, 450 - 461
- Rendle-Short, F. (2016). Sub rosa In: The Lifted Brow: Queer Unconscious Folio Melbourne, Australia
- Rendle-Short, F. (2016). 1:25,000 In: The Near and The Far Melbourne, Australia
- Rendle-Short, F. (2015). How the how: the question of form in writing creative scholarly works In: New Writing: The International Journal for the Practice and Theory of Creative Writing, 12, 91 - 100
- Rendle-Short, F. (2015). Parsing the aside (the poetics of immersion and patience as dialogue) In: TEXT: Journal of Writing and Writing Programs, , 1 - 11
- Rendle-Short, F. (2014). Poetic Cartography, Love, and Loss: On Piecing Together a Father; and A Matter of View: (From a Book of Annotations) In: NANO: New American Notes, , 1 - 9
- WrICE (Phase 2): RMIT Copyright Agency Asia-Pacific Partnership Program. Funded by: Copyright Agency Cultural Fund 2017 from (2017 to 2018)
- Women Writers in the City. Funded by: City of Melbourne Arts Grant from (2017 to 2017)
- RMIT Copyright Agency Asia-Pacific Partnership. Funded by: Copyright Agency Cultural Grant 2014 from (2014 to 2017)
- RMIT Copyright Agency Asia-Pacific Partnership. Funded by: Copyright Agency Limited Grant pre-2014 from (2013 to 2014)
- StoriesNOW. Funded by: Copyright Agency Limited Grant pre-2014 from (2011 to 2013)
5 PhD Completions and 1 Masters by Research Completions6 PhD Current Supervisions