STAFF PROFILE
Dr Catherine Strong
Position:
Senior Lecturer
College / Portfolio:
Design and Social Context
School / Department:
DSC|School - Media & Communication
Phone:
+61399253236
Email:
catherine.strong@rmit.edu.au
Campus:
City Campus
Contact me about:
Research supervision
- Strong, C.,Gaunson, S. (2021). Start Me Up: The Place and Displacement of Women in the Cinema of the Rolling Stones In: Mapping the Rockumentary, Edinburgh University Press, United Kingdom
- Strong, C.,Cannizzo, F. (2021). Pre-existing conditions Precarity, creative justice and the impact of the COVID-19 pandemic on the Victorian music industries In: Perfect Beat, 21, 10 - 24
- Strong, C.,Cannizzo, F.,Rogers, I. (2020). Career Paths: The Victorian Music Business Career Life Cycle In: Victorian Music Development Office Melbourne
- Strong, C. (2020). Grassroots feminist music activism: finding a place in the archives In: From Sit-Ins to #revolutions, Bloomsbury Academic, New york
- Cannizzo, F.,Strong, C. (2020). 'Put some balls on that woman': Gendered repertoires of inequality in screen composers' careers In: Gender work and organisations, 27, 1346 - 1360
- Strong, C.,Cannizzo, F. (2020). Understanding Challenges to the Victorian Music Industry During COVID-19 In: Victorian Office for Women, Victorian Music Development Office Melbourne, Australia
- Strong, C. (2020). Civil Discobedience: ‘Bad environmentalism’, queer time and the role of popular music’s past in Extinction Rebellion In: Social Alternatives, 39, 5 - 11
- Strong, C.,Cannizzo, F. (2019). Qualified careers: gendered attitudes towards screen composition education in Australia In: Towards Gender Equality in the Music Industry, Bloomsbury Academic, New York, USA
- Istvandity, L.,Baker, S.,Collins, J.,Driessen, S.,Strong, C. (2019). Understanding popular music heritage practice through the lens of 'third place' In: Rethinking Third Places: Informal Public Spaces & Community Building, Edward Elgar Publishing, New york, USA
- Wellings, B.,Jay, Z.,Strong, C. (2019). Making Your Mind Up: Britain, Europe, and Eurovision-Skepicism In: Eurovisions: Identity and the International Politics of the Eurovision Song Contest since 1956, Palgrave Macmillan, Singapore
Note: Supervision projects since 2004
1 PhD Completions and 1 Masters by Research Completions7 PhD Current Supervisions
Popular music, Gender, Collective memory, Popular culture heritage
- Victorian Music Festivals: Projects for a new way (Administered by Australian Festival Association). Funded by: Australian Festival Association Incorporated - Competitive from (2021 to 2021)
- Electronic Music Accelerator Evaluation (Administered by The Push - Youth Music Organisation). Funded by: Lord Mayor's Charitable Fund 2018 onwards- Grant from (2021 to 2021)
- Interrogating the music city: cultural economy & popular music in Melbourne. Administered by Monash University.. Funded by: ARC Discovery Projects via other University Grant 2016 from (2016 to 2020)