STAFF PROFILE
Dr Catherine Strong
Position:
Senior Lecturer
College / Portfolio:
Design and Social Context
School / Department:
Media and Communication
Phone:
+61 3 9925 3236
Email:
catherine.strong@rmit.edu.au
Campus:
Melbourne City Campus
Contact me about:
Research supervision
- Strong, C.,Cannizzo, F. (2017). Australian Women Screen Composers: Career Barriers and Pathways In: APRA AMCOS Melbourne
- Strong, C.,Whiting, S. (2017). 'We love the bands and we want to keep them on the walls'<sup>*</sup>: gig posters as heritage-as-praxis in music venues In: Continuum, , 1 - 11
- Homan, S.,O'Hanlon, S.,Strong, C.,Tebbutt, J. (2017). In Melbourne tonight: Pop/rock histories and futures In: Perfect Beat, 18, 95 - 109
- Strong, C.,Rogers, I.,Cannizzo, F. (2016). Melbourne's Music Laneways In: Creative Victoria Melbourne, Australia
- Strong, C.,Rogers, I. (2016). She-Riffs: Gender and the Australian Experience of Alternative Rock and Riot Grrrl in the 1990s In: Journal of World Popular Music, 3, 38 - 53
- Strong, C.,Morris, E. (2016). ''Spark and Cultivate'': LISTEN and Grassroots Feminist Activism in the Melbourne Music Scene In: Journal of World Popular Music, 3, 108 - 124
- Strong, C.,Cannizzo, F.,Rogers, I. (2016). Aesthetic cosmopolitan, national and local popular music heritage in Melbourne's music laneways In: International Journal of Heritage Studies, 23, 83 - 96
- Strong, C. (2015). All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett In: Perfect Beat, 15, 149 - 166
- Lebrun, B.,Strong, C. (2015). The great gig in the sky: exploring popular music and death In: Death and the Rock Star, Ashgate, Surrey, United Kingdom
- Strong, C. (2015). Laneways of the dead: Memorialising musicians in Melbourne In: Death and the Rock Star, Ashgate, Surrey, United Kingdom
- Interrogating the music city: cultural economy & popular music in Melbourne. Administered by Monash University.. Funded by: ARC Discovery Projects via other University Grant 2016 from (2016 to 2018)
Note: Supervision projects since 2004
2 PhD Current Supervisions and 1 Masters by Research Current Supervisions
Popular music, Gender, Collective memory, Popular culture heritage