STAFF PROFILE
Dr Catherine Strong
Position:
Senior Lecturer
College / Portfolio:
Media and Communication
School / Department:
Media
Phone:
99253236
Email:
catherine.strong@rmit.edu.au
Campus:
Melbourne City Campus
Contact me about:
Research supervision
- Strong, C.,Cannizzo, F.,Rogers, I. (2020). Career Paths: The Victorian Music Business Career Life Cycle In: Victorian Music Development Office Melbourne
- Strong, C. (2020). Grassroots feminist music activism: finding a place in the archives In: From Sit-Ins to #revolutions, Bloomsbury Academic, New york
- Cannizzo, F.,Strong, C. (2020). 'Put some balls on that woman': Gendered repertoires of inequality in screen composers' careers In: Gender work and organisations, , 1 - 15
- Strong, C.,Brunt, S.,Cannizzo, F.,Montano, E.,Rogers, I.,Shill, G. (2019). Adapting the studio model for the Australian popular music education context In: Journal of Popular Music Education, 3, 293 - 308
- Strong, C. (2019). Towards a feminist history of popular music: Re-examining writing on musicians and domestic violence in the wake of #MeToo In: Remembering Popular Music's Past, Anthem Press, New York, USA
- Strong, C.,Cannizzo, F. (2019). Qualified careers: gendered attitudes towards screen composition education in Australia In: Towards Gender Equality in the Music Industry, Bloomsbury Academic, New York, USA
- Istvandity, L.,Baker, S.,Collins, J.,Driessen, S.,Strong, C. (2019). Understanding popular music heritage practice through the lens of 'third place' In: Rethinking Third Places: Informal Public Spaces & Community Building, Edward Elgar Publishing, New york, USA
- Wellings, B.,Jay, Z.,Strong, C. (2019). Making Your Mind Up: Britain, Europe, and Eurovision-Skepicism In: Eurovisions: Identity and the International Politics of the Eurovision Song Contest since 1956, Palgrave Macmillan, Singapore
- Strong, C.,Rush, E. (2018). Musical genius and/or nasty piece of work? Dealing with violence and sexual assault in accounts of popular music's past In: Continuum, 32, 569 - 580
- Strong, C. (2018). Re-Calling Grunge: Seattle, Anniversary Journalism, and Changing Narratives of a Genre In: Sounds and the City Volume 2, Palgrave Macmillan, Cham, Switzerland
Note: Supervision projects since 2004
1 PhD Completions and 1 Masters by Research Completions5 PhD Current Supervisions
Popular music, Gender, Collective memory, Popular culture heritage
- Interrogating the music city: cultural economy & popular music in Melbourne. Administered by Monash University.. Funded by: ARC Discovery Projects via other University Grant 2016 from (2016 to 2019)