Finding solutions for the recycling industry

Finding solutions for the recycling industry

Three industrial design student studios have worked with Victorian Government agencies and industry partners on a range of new enterprise propositions.

Industrial Design Recycling

With the local market value of recycled materials collapsing, and off-shore processors refusing to accept our post-consumer packaging waste, Australia is facing major environmental and resource recovery challenges.

The student studios are focusing on product and process design in two waste areas; conventionally recovered but mixed and contaminated waste glass, and the redirection of post-consumer packaging waste prior to its entry into the recycling system.

The first studio completed was a glass fines re-purposing studio linked to a Sustainability Victoria research project. While large quantities of glass are recovered for recycling, the collection and sorting process generates crushed glass (glass fines) unsuitable for re-manufacture into glass containers.

The students explored new approaches to the large quantity of mixed and contaminated glass that cannot be converted into conventional glass products using current systems.

Sustainability Victoria CEO Stan Krpan said having design students look at the opportunities to deal with a pressing real-world problem, gave them a broader view of the potential impact of their work.

“This was a great opportunity for the students to look at the challenges faced in resource recovery and increase their awareness of government priorities and initiatives.”

“They’ve developed a diverse range of exciting design ideas and concepts with the potential to go beyond the classroom.,” Krpan said.

The studio involved materials experimentation inside industry partner Mark Douglass Designs’ glass works, and novel applications development for the use of waste glass in constructions materials for Alex Fraser Group.

Student Samuel Burns said glass fines have the potential for endless recyclability, although it is evidently a challenging material to utilise due to the contaminants.

“My project primarily sought to explore glass fusing, a process that has the ability to bond solely glass fines into a form and without any need to remove the contaminants.” he said.

The second and third studio is called Re-Usefuls and will run both semesters of 2018.

Students in the Re-Usefuls project are designing prototypes and market testing high(er) value goods produced entirely from common household recyclable materials. 

Industrial Design

The studios contribute to a Metropolitan Waste and Resource Recovery Group (MWRRG)-funded research project to scope the development of the Design With Waste Outreach Platform that seeks to link enterprising designers with waste recovery and recycling industries to increase the demand side of a sector awash with supply.

Associate Dean of Industrial Design, Dr Liam Fennessy said these challenges are ultimately design problems, in that the social practices and the waste materials generated through consumption are all scripted by design.

“This includes our practice of commingling our kerb-side recycling waste that systemically degrades otherwise easily separated and recycled materials,” he said.

“While formed through design, these scripts can also be altered by design: materials can be given new value, and our waste practices and the systems that enable them can be changed.”

Engaging in the complex problem of waste and recycling opens out the full system of material, energy and labour transfer for students: from the point of extraction through manufacture, use, recovery and eventual waste.  

Through combinations of research and experimentation students in the studios will generate design propositions for sustainable products and services, and ultimately new enterprises.

Story: Wendy Little

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Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Luwaytini' by Mark Cleaver, Palawa.