NEWS
Analogue Art reveals all new painting is now digital
Painting, that most traditional of ‘analogue art’ mediums, has acquired a digital accent, and this is the focus of a major new exhibition opening at RMIT Gallery on 7 December.
Tony LLOYD, RMIT University Alumni: K2 with jet and tracks 2017, oil on linen, 120 x 240 cm, courtesy of the artist and MARS Gallery, Melbourne
Curated by accomplished painters Sam Leach and Tony Lloyd, Analogue Art in a Digital World showcases works by 20 Australian artists to reveal how digital aesthetics are creeping into contemporary painting as well as artworks such as drawing, tapestry and knitting.
‘The world has been transformed by digital technology and things look different since the internet. The 54 artworks in this exhibition reflect that difference,’ said Leach.
Leach, an Archibald and Wynne Landscape prize winner, said the artists are consciously and unconsciously incorporating digital aesthetics into their artworks, such as screen-like smoothness, pixilation, high resolution clarity, and the depiction of glitches.
‘The salient point is that paintings made now, and the artworks in this show, could not have been made without the digital,’ Leach said.
Jan Nelson, Black River Running #10, 2018, oil on linen, 75x61 cm (Courtesy of the artist and Anna Schwartz Gallery, Melbourne)
RMIT Gallery Acting Director Helen Rayment said the artists in the exhibition readily admitted to using digital tools in their defiantly analogue works of art. These include smart phones, tablets and software programs with many making preliminary sketches of works on computer.
‘Analogue Art in a Digital World celebrates the reinvigoration of art making and the new boundaries of representational genres,’ Rayment said.
Co-curator Tony Lloyd, whose paintings are influenced by cinema, in particular Science Fiction, said it is important to note that many of the artists in the exhibition also make digital art in parallel to their analogue practice.
‘These artists construct sophisticated and intelligent images and they utilise technology astutely in the service and making of their art,’ Lloyd said. ‘They are not apologists for traditional media, nor are they uncritical of the new digital order.’
Monika Behrens, Echo III, 2017, oil on canvas, 122cm x 102cm. (Courtesy of the artist and Martin Browne Gallery)
Analogue Art in a Digital World (7 December – 19 January 2019) features artists; Monika Behrens, Natasha Bieniek, Chris Bond, Andrew Browne, Magda Cebokli, Simon Finn, Juan Ford, Stephen Haley, Michelle Hamer, Kate Just, Sam Leach, Tony Lloyd, Amanda Marburg, Viv Miller, Jan Nelson, Becc Orszag, David Ralph, Datsun Tran, Darren Wardle, and Alice Wormald.
What: Analogue Art in a Digital World – art exhibition
When: 7 December 2018 – 19 January 2019
Where: RMIT Gallery, Building 16, Storey Hall, 344 Swanston Street, Melbourne.
For interviews, media inquiries and images:
Evelyn Tsitas, RMIT Gallery Senior Advisor, Communications & Outreach (03) 9925 1716 or 0488 300 525 or;
RMIT Communications, 0439 704 077, news@rmit.edu.au