Course Title: Manage production of sound designs
Part B: Course Detail
Teaching Period: Term1 2017
Course Code: VART6421C
Course Title: Manage production of sound designs
School: 345T Media and Communication
Campus: City Campus
Program: C6150 - Advanced Diploma of Music Industry (Sound Production)
Course Contact: Program Administration
Course Contact Phone: +61 3 9925 4815
Course Contact Email: mcvet@rmit.edu.au
Name and Contact Details of All Other Relevant Staff
Timothy Johnston
Phone: 9925 4815
Email: timothy.johnston@rmit.edu.au
Nominal Hours: 50
Regardless of the mode of delivery, represent a guide to the relative teaching time and student effort required to successfully achieve a particular competency/module. This may include not only scheduled classes or workplace visits but also the amount of effort required to undertake, evaluate and complete all assessment requirements, including any non-classroom activities.
Pre-requisites and Co-requisites
None
Course Description
This unit covers the performance outcomes, skills and knowledge required to manage the production of a sound design project. It will incorporate the production of sound designs, including planning and monitoring the production, engaging specialists where required, and overseeing and evaluating sound aspects of productions. Well developed planning and organisational skills are required, along with an ability to work collaboratively and creatively in a leadership role with those who contribute to the production of sound designs.
National Codes, Titles, Elements and Performance Criteria
National Element Code & Title: |
CUASOU601 Manage production of sound designs |
Element: |
1. Clarify sound design brief |
Performance Criteria: |
1.1 Participate in preliminary concept meetings with relevant people to discuss sound design specifications for production 1.2 Determine production requirements based on agreed sound design specifications 1.3 Identify and confirm people needed to meet production requirements 1.4 Consider financial and time constraints when planning production of sound design 1.5 Document all operational requirements needed for production of sound design |
Element: |
2. Plan the production of sound design |
Performance Criteria: |
2.1 Secure people, equipment and facilities needed for production of sound design 2.2 Confirm copyright requirements will be met in production of sound design 2.3 Contract and brief people as required 2.4 Establish ongoing communication arrangements with sound designers and other relevant people to ensure artistic vision of sound design can be achieved and resources will be available when required 2.5 Anticipate issues that may arise during production of sound design, and plan accordingly |
Element: |
3. Direct the production of sound design |
Performance Criteria: |
3.1 Source and obtain all sound components necessary to meet production requirements 3.2 Ensure compliance with work health and safety (WHS) legislation and guidelines throughout all stages of production 3.3 Direct final sound design recording, including mixing and editing sound components to achieve desired sonic finish and style 3.4 Seek feedback from relevant people about final sound design recording, and negotiate changes as required 3.5 Manage conflicts that arise, and negotiate solutions that cause least disruption to production schedules 3.6 Confirm master copy of sound design recording is saved in required format for playback media in line with production requirements 3.7 Confirm backup copies of sound design recording are saved in required format and provided to relevant people 3.8 Maintain relevant documentation as required |
Element: |
4. Finalise production of sound design |
Performance Criteria: |
4.1 Evaluate process used for sound design using agreed evaluation technique, and document results 4.2 Evaluate own role, and note areas for improvement 4.3 Provide feedback to team members on their performance as required 4.4 Document evaluations according to organisational procedures 4.5 Communicate results of evaluation to relevant people, and use results to improve future practice |
Learning Outcomes
On successful completion of this course you will have developed and applied the skills and knowledge required to demonstrate competency in the above elements.
Through the application of these skills and this knowledge, you will be able to plan, direct, and finalise sound design in a multi-channel audio production environment for both stereo and surround sound productions.
Details of Learning Activities
In class learning activities include, but are not limited to:
• Class delivery (face to face lectures)
• Peer teaching & class presentations
• Group Discussions
Out of class learning activities include, but are not limited to:
• Sound Studio based mixing
• Music production project based work - on location
• Collaboarative group work
• Teacher directed activities
Teaching Schedule
Class / Week |
Class content |
|
Elements |
|
SEMESTER 1 (Classes): |
|
|
CLASS 1 |
Assessment outline / Material outline/ Group confirmations – Project Analysis
|
Tim Johnston |
1, 2 |
CLASS 2 |
I/O configurations |
Tim Johnston |
1, 2, 3
|
CLASS 3 |
I/O configurations Pro Tools & Studio operation |
Prac session |
1, 2, 3 |
CLASS 4 |
I/O configurations |
Prac session |
1, 2, 3 |
CLASS 5 |
I/O configurations |
Prac session |
1, 2, 3 |
CLASS 6 |
I/O configurations |
Prac session |
1, 2, 3 |
CLASS 7 |
Advanced Mixing Techniques & Routing |
Prac session |
1, 2, 3
|
CLASS 8 |
Advanced Mixing Techniques & Routing |
Prac session |
1, 2, 3
|
CLASS 9 |
Advanced Mixing Techniques & Routing |
Prac session |
1, 2, 3
|
CLASS 10 |
Advanced Mixing Techniques & Routing |
Prac session |
1, 2, 3 |
CLASS 11 |
Advanced Mixing Techniques & Routing |
Prac session |
1, 2, 3 |
CLASS 12 |
Advanced Mixing Techniques & Routing |
Prac session |
1, 2, 3
|
CLASS 13 |
Advanced Mixing Techniques & Routing |
Prac session |
1, 2, 3
|
CLASS 14 |
Advanced Mixing Techniques & Routing |
Prac session |
1, 2, 3
|
CLASS 15 |
Advanced Mixing Techniques & Routing |
Prac session |
1, 2,3 |
CLASS 16 |
SPAVIS - Major Event Capture/Mix/Post Production |
Tim Johnston |
1,2 |
|
SEMESTER 2: |
|
|
WEEKS 1- 6 |
WIL Major Event organisation |
Tim Johnston |
1, 2 |
WEEKS 7 - 9 |
WIL Major Event Staging |
Bakehouse Studios |
3 |
WEEKS 10- 16 |
WIL Major Event Post Production – Surround mixes |
Practical sessions Studio 2 |
3, 4 |
Learning Resources
Prescribed Texts
References
Other Resources
Data storage, EG external Firewire (800+400) and/or Thunderbolt external Hard Drive >=1tb.
Overview of Assessment
Assessment for this course will involve completion of practical tasks to a satisfactory level, and knowledge based tests.
Assessment Tasks
To demonstrate competency in this course you will need to complete the following assessment to a satisfactory standard.
You will receive feedback on all assessment and once you have demonstrated competency, you will receive a grade for the graded Assessment Task (refer to MyRMIT for grading rubric).
Ungraded Assessment
- Studio utilisation, routing and file delivery exercise - Due Week 7 Sem 1
- Stereo Fold down mix of Major Event -Due Week 16 Sem 2
Graded Assessment
- Surround sound mix of Major Event - Due Week 16 Sem 2
For further information on the grading system and criteria used, please refer to the course blackboard site.
Grades which apply to courses delivered in accordance with competency-based assessment, but which also use graded assessment:
CHD - Competent with High Distinction
CDI - Competent with Distinction
CC - Competent with Credit
CAG - Competency Achieved - Graded
NYC - Not Yet Competent
DNS - Did Not Submit for Assessment
Assessment Matrix
The assessment matrix demonstrates alignment of assessment tasks with the relevant unit of competency. These matrices are available through Program Administration.
Other Information
Please refer to the RMIT student page for extensive information about study support, assessment, extensions, appeals and a range of other matters: http://www1.rmit.edu.au/students
Cover Sheet for Submissions:
You must complete and sign a submission cover sheet for every piece of submitted work, including online submissions.
http://mams.rmit.edu.au/s1llva641yxuz.pdf
Attendance:
Your learning experience will involve class-based teaching, discussion, demonstration and practical exercises
It is strongly advised that you attend all timetabled sessions. This will allow you to engage in the required learning activities, ensuring you the maximum opportunity to complete this course successfully.
Assessment Feedback:
You will receive spoken and written feedback on all your work. Where relevant, this feedback will also include suggestions on how you can proceed to the next stage of developing your projects.
http://www1.rmit.edu.au/policies/assessment-policy
Student Progress:
Monitoring academic progress is an important enabling and proactive strategy designed to assist you in achieving your learning potential.
http://www1.rmit.edu.au/students/acadprogress
Adjustments to Assessment (eg. applying for an extension of time):
If you are unable to complete any piece of assessment satisfactorily by the due date, you can choose to apply for an adjustment to your assessment. RMIT University offers a range of adjustments designed to support you in your studies, including an extension of time to complete the assessment.
http://www1.rmit.edu.au/students/assessment/adjustment
Academic Integrity and Plagiarism:
RMIT University has a strict policy on plagiarism and academic integrity. Please refer to the website for more information on this policy.
http://www1.rmit.edu.au/students/academic-integrity
Credit Transfer and Recognition of Prior Learning:
Credit transfer is the recognition of previously completed formal learning (an officially accredited qualification).
Recognition of Prior Learning (RPL) is an assessment process that allows you to demonstrate competence using the skills you have gained through experience in the workplace, voluntary work, informal or formal training or other life experiences.
Recognition of Current Competency (RCC) RCC applies only if you have previously successfully demonstrated competence in a unit of competency, and now require to be reassessed to ensure that the competence is being maintained.
Please speak to your teacher if you wish to discuss applying for Credit Transfer, RPL, or RCC for the unit(s) of competency addressed in this course.
http://www1.rmit.edu.au/students/enrolment/credit
Course Overview: Access Course Overview