Course Title: Refine painting techniques

Part B: Course Detail

Teaching Period: Term1 2023

Course Code: VART6514C

Course Title: Refine painting techniques

Important Information:

Please note that this course may have compulsory in-person attendance requirements for some teaching activities. 

To participate in any RMIT course in-person activities or assessment, you will need to comply with RMIT vaccination requirements which are applicable during the duration of the course. This RMIT requirement includes being vaccinated against COVID-19 or holding a valid medical exemption. 

Please read this RMIT Enrolment Procedure as it has important information regarding COVID vaccination and your study at RMIT: https://policies.rmit.edu.au/document/view.php?id=209

Please read the Student website for additional requirements of in-person attendance: https://www.rmit.edu.au/covid/coming-to-campus 


Please check your Canvas course shell closer to when the course starts to see if this course requires mandatory in-person attendance. The delivery method of the course might have to change quickly in response to changes in the local state/national directive regarding in-person course attendance. 

School: 515T Creative Industries

Campus: City Campus

Program: C5414 - Diploma of Visual Arts

Course Contact: Joel Rainford

Course Contact Phone: +61399258193

Course Contact Email: joel.rainford@rmit.edu.au


Name and Contact Details of All Other Relevant Staff

Rachel O'Connor
rachel.jessie-rae.oconnor@rmit.edu.au

Nominal Hours: 90

Regardless of the mode of delivery, represent a guide to the relative teaching time and student effort required to successfully achieve a particular competency/module. This may include not only scheduled classes or workplace visits but also the amount of effort required to undertake, evaluate and complete all assessment requirements, including any non-classroom activities.

Pre-requisites and Co-requisites

None

Course Description

In this course you will gain the skills and knowledge required to refine painting technique and to develop an individual style in a body of creative work. This occurs through a process of research, refinement and evaluation.


National Codes, Titles, Elements and Performance Criteria

National Element Code & Title:

CUAPAI511 Refine painting techniques

Element:

1. Research painting ideas and techniques

Performance Criteria:

1.1 Support professional practice by expanding knowledge of historical and contemporary painting

1.2 Research ways that other artists have used different painting techniques

1.3 Investigate how particular painting techniques work to achieve different technical effects

1.4 Explore the relationships between painting techniques and ideas

Element:

2. Select painting techniques for refinement

Performance Criteria:

2.1 Evaluate painting techniques relevant to approach

2.2 Identify and assess limitations and constraints of particular techniques

2.3 Select a range of painting techniques for refinement

Element:

3. Consolidate painting technique to professional level

Performance Criteria:

3.1 Develop increasing confidence and skill through practice and experimentation

3.2 Proactively identify and resolve technical problems in painting

3.3 Challenge and test ideas and use creative thinking techniques

3.4 Develop ideas through experimentation with technique

3.5 Develop own ways of working with techniques and create individual style

3.6 Create painting work that shows command of selected painting techniques

Element:

4. Evaluate own painting technique

Performance Criteria:

4.1 Evaluate development of own technique with others and seek feedback

4.2 Participate in discussions to explore different concepts and approaches

4.3 Evaluate particular ways that experimentation with different techniques has informed own artwork

4.4 Identify ways to further develop technique and build ideas into future work


Learning Outcomes


On successful completion of this course, you will have developed and applied the skills and knowledge required to demonstrate your competency in the above elements.


Details of Learning Activities

  • class exercises to review discussions/lectures  
  • practical demonstrations in studio  
  • Blog/Wiki or other online discussion and participation  
  • analysis/critique of relevant reading material  
  • seminars/workshops  
  • design activities or projects  
  • group projects  
  • peer learning  
  • guest lecture/presentation  
  • class presentations  
  • group discussion  
  • research  
  • independent project-based work  
  • group activities/projects  
  • ‘workshopping’ of student projects including peer/lecturer feedback  
  • visits to galleries and events  


Teaching Schedule


Please refer to Canvas.

Note: While your teacher will cover all the material in this schedule, the weekly order is subject to change depending on class needs and availability of speakers and resources

WeekTopicAssessment / Learning activities

Week 1

 

Rub-back “skeleton painting” workshop. -priming with Matte acrylic medium 

-Rub-back oil painting process and techniques 

-Chiaroscuro and working dark to light 

-safe working & clean-up procedures 


Research:  

  • Complete “Skeleton” rub-back painting in oil on primed oil sketch paper. 
  • Work dark to light to build tonal variation and develop 3D form using paint. 

Safe work practices: 

  • Established and demonstrated 

Week 2

 

Introduction to AT1: Simple Abstraction 

-Course structure, assessment requirements and due dates. 

-materials and techniques 

Presentations:  

  • Abstraction in art, historical and contemporary  
  • Student example paintings from previous years 
  • Masking and building texture video demonstrations  

-Visual diary research, photographs and compositional sketches. 

Research: 

  • Photograph aspects of the visual environment and produce compositional sketches in pencil, ink or gouache. 
  • Homework: Select and research 1 contemporary and 1 historical artist who explore abstraction 

Safe work practices: 

  • Established and demonstrated 

Week 3

 

Simple Abstraction  

Continued Visual Diary research. 

  • Developing content, ideas & subject matter: photographing the observed environment and making compositional sketches in pencil, ink or gouache. 
  • Trialing techniques, materials and processes 
  • Investigating colour palettes and combinations. 

Commence larger painting based on research. Acrylic or oil underpainting.  

Visual Research: 

  • Photograph aspects of the visual environment and produce compositional sketches in pencil, ink or gouache. 
  • Trialing techniques, processes, materials, colours & palettes 

Refine Painting: 

  • Commence larger painting based on research. Acrylic or oil underpainting. 

Safe work practices: 

  • Established and demonstrated 

Week 4

 

Simple Abstraction  

Glazing and layering workshop/demonstration 

 

Continued research. 

  • Trialing techniques, materials, and processes 
  • Investigating colour palettes and combinations. 

Painting: 

  • Refine first larger painting based on research.  
  • Commence second larger painting. Acrylic or oil underpainting. 

Visual Research: 

  • Continue trialing techniques, processes, materials, colours & palettes 

Refine Painting: 

  • Refine first larger-scale painting, overpainting, or glazing. 
  • Commence second larger painting based on research. Acrylic or oil underpainting. 

Safe work practices: 

  • Established and demonstrated 

Week 5

 

Simple Abstraction  

  • Refine second larger painting based on research.  

Evaluation: 

Peer group presentation of developmental studies and refined Abstraction paintings 

 Refine Painting: 

  • Refine second larger painting based on research. 

Safe work practices: 

  • Established and demonstrated 

Evaluation: 

  • Present, review and evaluate own and peer’s paintings 
  • Complete written evaluation

Week 6

 

Introduction to AT2: The Everyday 

-Assessment task details, requirements, and due dates. 

-materials and techniques 

Presentations:  

  • The Everyday in art, historical and contemporary  
  • Student example paintings from previous years 

Videos:  

  • Morandi: finding beauty in the ordinary  
  • David Hockney: November Tunnel 

 

Visual diary research: 

  • Photographs and sketches. Concept development in visual diary. 

Research: 

  • Photograph aspects of the "everyday” and produce compositional sketches in pencil, ink or gouache. 
  • Homework: Select and research 1 contemporary and 1 historical artist who explore the “everyday”.
  • ASSESSMENT TASK 1: SIMPLE ABSTRACTION DUE FOR SUBMISSION SUNDAY 19th MARCH 23:59

Week 7

 

The Everyday continued  

Visual Diary research. 

  • Developing content, ideas & subject matter: photographing the "everyday’ and making compositional sketches in pencil, ink or gouache. 
  • Trialing techniques, materials and processes 
  • Investigating colour palettes and combinations. 

Commence larger painting based on research. Acrylic or oil underpainting. 

Visual Research: 

  • Photograph aspects of the "everyday” and produce compositional sketches in pencil, ink or gouache. 
  • Trialing techniques, processes, materials, colours & palettes 

Refine Painting: 

  • Commence larger painting based on research. Acrylic or oil underpainting. 

Safe work practices: 

  • Established and demonstrated 

 

Week 8

 

The Everyday continued 

Research. 

  • Trialing techniques, materials, and processes 
  • Investigating colour palettes and combinations. 

Painting: 

  • Refine first larger painting based on research.  
  • Commence second larger painting. Acrylic or oil underpainting. 

Visual Research: 

  • Continue trialing techniques, processes, materials, colours & palettes 

Refine Painting: 

  • Refine first larger-scale painting, overpainting, or glazing. 
  • Commence second larger painting based on research. Acrylic or oil underpainting. 

Safe work practices: 

  • Established and demonstrated 

Week 9

 

The Everyday continued 

Research. 

  • Trialing techniques, materials, and processes 
  • Investigating colour palettes and combinations. 

Painting: 

  • Refine first larger painting based on research.  
  • Commence second larger painting. Acrylic or oil underpainting. 

 

 

Visual Research: 

 

  • Continue trialing techniques, processes, materials, colours & palettes 
  • Refine Painting: 

  • Refine first larger-scale painting, overpainting, or glazing. 
  • Commence second larger painting based on research. Acrylic or oil underpainting. 
  • Safe work practices: 
  • Established and demonstrated 

 

MID SEMESTER BREAK 7 - 14th APRIL

 

Week 10

 

The Everyday 

Painting: 

Refine second larger painting based on research.  

Evaluation: 

Peer group presentation of developmental studies and refined Abstraction paintings 

Refine Painting: 

Refine second and/or third larger painting based on research. 

Safe work practices: 

Established and demonstrated 

Evaluation: 

Present, review and evaluate own and peer’s paintings 

Complete written evaluation

Week 11

 

 

Introduction to AT3:Disruption 

-Assessment task details, requirements, and due dates. 

-materials and techniques 

Presentations:  

  • Disruption and collage in art, historical and contemporary  

 

  • Student example paintings from previous years 

Videos:  

  • Amy Cutler 
  • Fiona Rae 

 

Visual diary research: 

  • Photographs and sketches. Concept development in visual diary. 

Research: 

  • Use “collage” process to generate ideas. Produce compositional sketches in pencil, ink or gouache. 
  • Homework: Select and research 1 contemporary and 1 historical artist who explore "disruption” conceptually or formally using paint. 

 

ASSESSMENT TASK 2: THE EVERYDAY DUE FOR SUBMISSION SUNDAY 30th APRIL 23:59pm

Week 13

 

Disruption continued 

Research. 

  • Trialing collage, techniques, materials, and processes 
  • Investigating colour palettes and combinations. 

Painting: 

  • Refine first larger painting based on research.  
  • Commence second larger painting. Acrylic or oil underpainting. 

Visual Research: 

  • Continue trialing collage, techniques, processes, materials, colours & palettes 

Refine Painting: 

  • Refine first larger-scale painting, overpainting, or glazing. 
  • Commence second larger painting based on research. Acrylic or oil underpainting. 

Safe work practices: 

  • Established and demonstrated 

Week 14

 

Disruption continued 

Painting: 

  • Refine first and second larger paintings based on research and/or commence third larger painting. Acrylic or oil underpainting. 

Refine Painting: 

  • Refine second larger painting based on research. 

Safe work practices: 

  • Established and demonstrated 

Week 15

 

Disruption continued 

Painting: 

  • Refine first and second larger paintings based on research and/or commence third larger painting. Acrylic or oil underpainting. 
  • Painting: 

  • Refine second and/or third larger painting based on research.  
  • Evaluation: 

    Peer group presentation of developmental studies and refined Abstraction paintings 

Refine Painting: 

  • Refine second larger painting based on research. 

    Evaluation: 

  • Present, review and evaluate own and peer’s paintings 
  • Complete written evaluation 

Safe work practices: 

  • Established and demonstrated 

Week 16

 

Self-directed painting & skill consolidation   

Individual tutorials 

 Assessment Preparation 

 

ASSESSMENT TASK 3: DISRUPTION DUE FOR SUBMISSION FRIDAY 2nd JUNE 5pm


Learning Resources

Prescribed Texts


References


Other Resources

The library provides free study support services and resources to help you build your academic skills. This includes subject specialist expertise, research advice, help with referencing and other services. You can also access one-on-one consultations through the library. For further information:  

https://www.rmit.edu.au/students/support-services/study-support


Overview of Assessment

Assessment for this course is ongoing throughout the semester. Your knowledge and understanding of course content is assessed through participation in class exercises, oral/written presentations and through the application of learned skills and insights. Full assessment briefs will be provided and can be found on CANVAS.


Assessment Tasks

Students enrolled in Vocational Education and Training qualifications are assessed for Competency. To be assessed as Competent means you have consistently demonstrated the required knowledge and skills at a standard expected in the workplace.  

To be assessed as Competent in this course, you will need to complete each assessment task to a satisfactory standard. You will receive feedback from the teacher at the conclusion of each assessment task. 

You should refer to the assessment brief which is available through Canvas for full assessment criteria and due dates

Results that apply to courses that are delivered and assessed in accordance with competency-based assessment are: 

CA: Competency Achieved 

NYC: Not Yet Competent 

DNS: Did not Submit for Assessment 


Assessment Matrix

The assessment matrix demonstrates alignment of assessment tasks with the relevant unit of competency. These mapping documents are available through Program Administration if required.

Other Information

Attendance:  

Your learning experience will involve class-based teaching, discussion, demonstration and practical exercises   

It is strongly advised that you attend all timetabled sessions. This will allow you to engage in the required learning activities, ensuring you the maximum opportunity to complete this course successfully.  

  

Information about your studies:  

You canaccess My Studies through the RMIT websitefor information about timetables, important dates, assessment dates, results and progress, Canvas etc.  

https://www.rmit.edu.au/students  

  

Assessment:  

Information on assessment including Special consideration, Adjustments to assessment, (eg. applying for an extension of time):  

https://www.rmit.edu.au/students/student-essentials/assessment-and-exams/assessment  

  

Academic Integrity and Plagiarism:  

RMIT University has a strict policy on plagiarism and academic integrity. Please refer to the website for more information on this policy.  

https://www.rmit.edu.au/students/student-essentials/assessment-and-exams/academic-integrity  

  

Credit Transfer and Recognition of Prior Learning:   

Credit transfer is the recognition of previously completed formal learning (an officially accredited qualification).  

Recognition of Prior Learning (RPL) is an assessment process that allows you to demonstrate competence using the skills you have gained through experience in the workplace, voluntary work, informal or formal training or other life experiences.    

Please speak to your teacher if you wish to discuss applying for Credit Transfer or RPL for the unit(s) of competency addressed in this course.  

https://www.rmit.edu.au/students/student-essentials/enrolment/apply-for-credit

Course Overview: Access Course Overview