To make materials again, or remake them, was the focus of Julia’s research, as she explored 38 cases of actors collaborating to transform textile waste.
“We need to describe these practices more specifically, it’s not about simply calling it ‘upcycling’ or ‘remake’, but identifying the wide range of skills and methods that people can employ to transform textile waste.”
“Remaking can go beyond just traditional fashion manufacturing, as it can also involve dyeing, printing, embellishing and more ... I observed artists, weavers and textile designers testing out remaking as part of their work.”
Julia’s research reveals the opportunity to involve more small-scale actors in remaking textiles by inviting other creative fields to participate, “there is so much potential for rich, local remaking communities capable of turning waste into valuable products.” she says.
As for what prompted her to investigate this area, she reflected that it was during her initial literature review that she saw an opportunity.
"I was reading studies which repeatedly referenced the importance of collaboration in recirculating textile waste, but they weren’t explaining how this looks in practice.”
“At the same time, I identified that small local brands in Australia were pioneering these remaking collaborations.”
Her work dissects the processes employed by these brands, proposing a blueprint for future actors, outlining a range of models, methods and strategies.