Mr John Power

• Power, J. (2019). Coenosarcoid In: Moving Image Program, Adelaide Festival Centre, 2019 Adelaide, Australia
• Power, J.,Duckworth, J.,Yuille, J. (2017). How does a painter's hand think about generative art practice? In: Proceedings of the Electronic Visualisation and the Arts Australia 2016 Conference (EVAA 2016), University of Canberra, 5-6 March 2016
• Power, J. (2017). Locus Amoenus In: Locus Amoenus Melbourne, Australia
• Greuter, S.,Nash, A.,Manning, J.,Duckworth, J.,Power, J.,Wilson, S.,Zayed, J.,Sinclair, J.,Goddard, W.,Hullick, J. (2016). Domelab In: Design and Play Exhibition Melbourne
• Power, J. (2016). The Right to Belong In: Melbourne Writer's Festival launch Melbourne, Australia
• Power, J.,Garton, A.,Coe, C.,Haines, S. (2014). Scintillascope In: Lights in Winter Festival Melbourne, Australia
• Power, J.,Lin, H. (2012). Melbourne International Animation Festival Titles In: Melbourne International Animation Festival Melbourne, Australia
• Power, J.,Bourke, P.,Westbrook, B.,Irie, T. (2009). Black culture In: Australian Centre for the Moving Image Melbourne, Australia
• More, G.,Pickersgill, S.,Power, J. (2006). Maelstrom: Gazes into the digital abyss In: Adelaide, Australia
• Power, J. (2005). 2005 MIAF remains to be seen In: Duckboard House Flinders Lane, Melbourne

Developing prototypes for new production methods in time-based virtual art to expand on and challenge conventional ideas about continuity and space in screen narrative. These methods incorporate the use of 2D and 3D computer aided animation, digital compositing, digital filtering and effects, motion capture and tracking, and midi.