Intersect is a particularly diverse section of RMIT Culture, acting as a conduit to connect the University’s students, staff and research into the broader global arts community.
Intersect manages six creative project streams which work together to celebrate and nurture contemporary visual art practice-based research.
Intersect’s three gallery spaces are: Project Space, Spare Room and Site Eight; its residency program is Situate; its public art project is Lightscapes, and its talks program is called Speaker.
Penny Byrne, a Melbourne-based artist who uses multiple mediums to create interesting, politically charged and humorous sculptures. Check out Byrne’s Speaker talk online. The title of the pictured work is Love Is A Battlefield.
Image: Penny Byrne
Love is a Battlefield (detail), 2013
Bronze with Satin Black Patina
1000 x 700 x 700 mm
Hall & Willcox. The firm is working with RMIT students and graduates to showcase and exhibit their pieces throughout their Melbourne office.
Josh Peters. His exhibition, Camouflages, explores the manipulation that sound can have over the listeners perception. Peters’ exhibition has been postponed due to the COVID-19 pandemic. In May 2020, Peters was successful in his request for project support from the City of Melbourne to develop the work for this exhibition.
Andy Tetzlaff, Intersect’s coordinator. As mentioned in his introductory post to RMIT Intersect’s Instagram, Andy has over 12 years of experience facilitating and curating various projects – who better to answer these questions? Check out the questions and answers at Intersect’s Instagram.
The title of the exhibition and its content draws inspiration from the condemnation of gay sex throughout the 18th and 19th centuries. Yore’s art comprises multiple mediums to bring together and portray the unapologetic expression of queer identity. Read more about Yore and Pleasures Against Nature online.
Image: Paul Yore
Pleasures Against Nature, 2020
Exhibition installation view at PROJECT SPACE/SPARE ROOM Galleries
Photography by Mark Ashkanasy
David Bielander of Switzerland, Helen Britton of Australia, and Yutaka Minegishi of Japan. Each artist shares the love of jewellery and have been working together in Munich for almost two decades. This exhibition draws together their distinct practices and backgrounds. More information on ‘Minegishi / Britton / Bielander’ can be found online.
Lightscapes is comprised of 14 light boxes fixed to building facades across RMIT and Melbourne Central. Although this year’s exhibitions have been cut short due to the pandemic, highlights from Intersect can be found online year round.
Image: Lauren V Morehouse
I Hate My Ass, 2019
Digital print on acrylic
Acknowledgement of Country
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.