Simon Perry

Mr. Simon Perry

Senior Lecturer

Details

Open to

  • Masters Research or PhD student supervision

About

Simon Perry is an awarded and publicly recognised visual artist and academic. He was awarded the prestigious Prix de Rome and the Royal Academy Gold Medal for Sculpture. Simon has a particular interest in Art in Public Space. Over the last 20 years the key focus of his art practice has been the research, design and production of significant and high-profile urban public art in Australia and internationally. His major projects include: Public Address (2005), Federation Square, The John Mockridge Fountain, Melbourne City Square Melbourne (2000), Threaded Field, Docklands Stadium Melbourne (2000) and Public Purse (1994) Bourke Street Mall Melbourne. These projects have involved working collaboratively with large teams of artists, industry partners and multidisciplinary design teams. His more recent interest in the emerging field of art and ecology is demonstrated by his participation in a pioneering international exhibition Heat: Art and Climate Change.

As a lecturer, Perry co-created a new educational model for international collaboration for art students at RMIT University and Chelsea University of the Arts (London). The International Virtual Studio Project, 2005–2007 used live web-technologies to develop creative communication exchanges between students working on parallel installations in different physical locations.

Perry is recognised for his experience and knowledge of public art practice and legislation. He has been selected to sit on a number of public art advisory boards for major international and national organizations, and was a consultant for the new environmentally sustainable Melbourne City Council Building, CH2. He has been an advisor to government on commissioning strategies for artists working in public space, and has also been selected to judge major public art and sculpture competitions in Australia and internationally, including the City of Hong Kong Public Art Competition and ’Situate’ the Government of Western Australia International Sculpture Competition.

Supervisor projects

  • A temporal Paradox: Automata and Kinetic objects evoking a time travel experience
  • 23 Aug 2024
  • Re-visioning Locality Investigating Urban Life and Material Objects Through a Practice of Visual Art
  • 5 Dec 2020
  • Performing the Material Poetics of Migration: A (Re)Imagined Threshold Ritual of Tamil Women
  • 5 Sep 2020

Teaching interests

Art, sculpture, relief, space, time, perception, embodiment, the brain, temporal and spatial compression, urbanism, cities, art and architecture, materiality, ocularcentrism, speed, public art, interactive and kinetic art, art and the environment

Research interests

Visual Arts and Crafts

Historical and contemporary relationships between, sculpture, architecture and private/public space;

Studio practice and its relation to sculpture commissions;

New technologies and virtual space as a site for international collaborative art projects and educational training;

Philosophy and cultural theory;

The city as surface;

The representation of animals and the organic in sculpture;

History of analytical study and technical production in sculpture;

Humour in art.

School of Art research clusters
Art in Public Space (https://www.rmit.edu.au/redirect?URL=%2Fbrowse%3BID%3Dp9y52i4eujorz)
Art and Environmental Sustainability (https://www.rmit.edu.au/redirect?URL=%2Fbrowse%3BID%3Db9yl2spuxz4dz)
aboriginal flag
torres strait flag

Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.