Murray Pomerance is a scholar and writer with a global reputation in screen studies.
Across a distinguished career he has been recognised as one of the most original film scholars writing and researching today. His numerous field-defining works include a Hitchcock Quartet, including A Voyage with Hitchcock (forthcoming in September), but his publications number in the dozens. These include The Film Cheat (Bloomsbury, 2020), and Cinema, If You Please: The Memory of Taste, the Taste of Memory (2018, Edinburgh UP). He serves as editor for two distinguished series at major academic presses: ‘Techniques of the Moving Image’ at Rutgers, and SUNY Press’s prestigious ‘Horizons of Cinema.’ Seeing the world with a poet’s eye, his writing on cinema is enriched by his wide-ranging knowledge in other disciplines: literature, sociology, theatre, performance, architecture, music, and art history and he is also an O. Henry Award-winning author whose fiction includes Grammatical Dreams (Green Integer, 2020) and A King of Infinite Space (Oberon, 2016).
Acknowledgement of Country
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Luwaytini' by Mark Cleaver, Palawa.
Acknowledgement of Country
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business.