This Hideous Replica

Lifting its title from a misheard line in a 1980 song by The Fall about a reclusive dog breeder whose 'hideous replica' haunts industrial Manchester, this experimental project—a concoction of artworks, performances, screenings, workshops, a 'replica school' and other uncanny encounters—adopts monstrous replication as a tactic, condition and curatorial framework for exploring algorithmic culture, simultaneously alienating, seductive and out-of-control.

Exhibition includes works by Amy May Stuart, Angie Waller, Anna Vasof, Debris Facility, Diego Ramírez, Emile Zile, Joshua Citarella, Liang Luscombe, Loren Adams, Masato Takasaka, Matthew Griffin & Heath Franco and Mochu.

Performances, talks and workshops by Catherine Ryan, Chloë Sobek, Darcy Wedd, Holly Childs, Jennifer Walshe, Joel Sherwood Spring, Machine Listening, McKenzie Wark, Panda Wong, Roslyn Orlando, Tomomi Adachi and more.

Curated by Joel Stern and Sean Dockray.

This Hideous Replica has been produced by RMIT Culture and supported by the ARC Centre of Excellence for Automated Decision-Making and Society (ADM+S), the RMIT Design and Creative Practice Enabling Impact Platforms and Monash Art, Design and Architecture (MADA). This project is a part of the City of Melbourne’s Now or Never festival. This project has been assisted by the Australian Government through Creative Australia and by the Victorian Government through Creative Victoria. With hosts Miscellanea, Dogmilk, Omniversal Hum, Make it Up Club, Melbourne Law School.

Mochu, GROTESKKBASILISKK! MINERAL MIXTAPE, 2022 Image: Mochu, GROTESKKBASILISKK! MINERAL MIXTAPE, 2022, digital video (still), Image courtesy of the artist.

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This Hideous Replica

Icon / Small / Calendar Created with Sketch. 23 Aug 2024 - 16 Nov 2024

Lifting its title from a misheard line in a 1980 song by The Fall about a reclusive dog breeder whose 'hideous replica' haunts industrial Manchester, this experimental project—a concoction of artworks, performances, screenings, workshops, a 'replica school' and other uncanny encounters—adopts monstrous replication as a tactic, condition and curatorial framework for exploring algorithmic culture, simultaneously alienating, seductive and out-of-control.

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EOIs are now open for the 2025 First Site Gallery exhibition program

Icon / Small / Calendar Created with Sketch. 26 Sep 2024 - 27 Oct 2024

Are you an RMIT student with a creative project you'd like to share?

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Lovely Bibbles

Icon / Small / Calendar Created with Sketch. 14 Oct 2024 - 08 Nov 2024

Lovely Bibbles explores the embodiment of 'girliness' and new expressions of 'girlhood' in art. Focusing on interweaving painting and sculptural methodologies, this work challenges the dismissal of feminine-like aesthetics.

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Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.

aboriginal flag
torres strait flag

Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business.