Paul Gough is Pro Vice-Chancellor and Vice President, College of Design and Social Context, RMIT University.
A painter, broadcaster and writer, Paul Gough has exhibited widely in the UK and abroad, most recently in Canada, New Zealand and Australia, and is represented in several permanent art collections – including Imperial War Museum, London; Canadian War Museum, and the National War Memorial, New Zealand.
Paul's research interests lie in the iconography of commemoration, the cultural geographies of battlefields, and the representation of peace and conflict. Among his recent publications is a monograph on the British artist Stanley Spencer (2006), A Terrible Beauty, an extensive study of British art of the Great War (2010), and the edited correspondence between Desmond Chute and Stanley Spencer, published in 2011.
A book on the street artist Banksy - Banksy: A Bristol Legacy - was published in April, 2012. His book – ’Brothers in Arms’ – about the post-war work of Paul and John Nash was published in summer 2014. As part of a broad portfolio of activity linked to the centenary of the Great War, he curated three exhibitions in London and Bristol in 2014 and has been advising the Royal Mint in the UK on the design principles, iconography and potential artists for their commemorative coinage linked to the centenary of the war, 2014-2019.
During ten years work as a television presenter, researcher and associate producer he worked for ITV, BBC and C4 on a range of creative arts programmes from dance to drama, poetry to painting, including the award-winning documentary Redundant Warrior, about the photographer Don McCullin, and a documentary on military sketching and panorama drawing.
In a comprehensive portfolio of research leadership roles he served on the Strategic Advisory Group of the Arts and Humanities Research Council and was chair of the AHRC ’Landscape and Environment’ commissioning panel, a five year and 5 million pounds programme of inter-disciplinary research. Having been a panel member for RAE 2001 and on the HEFCE Research Capability Fund panel, he became chair of sub-panel 63 in RAE 2008 with responsibility for art and design, and has since worked internationally – in Australia, Romania, and New Zealand – on research assessment exercises. In 2014 he was chair of the Research Assessment Exercise panel for arts, design and performing arts in Hong Kong.
- Gough, P. (2018). Congested terrain: contested memories. visualising the multiple spaces of war and remembrance In: Commemorative Spaces of the First World War, Taylor and Francis, United States
- Brown, L.,Green, C.,Cattapan, J.,Gough, P. (2018). Revisioning Australia's war art: four painters as citizens of the 'global South' In: Humanities, 7, 2 - 12
- Gough, P. (2018). Dead Ground: War and Peace - Remembrance and Recovery, Sansom and Company, United Kingdom
- Gough, P. (2017). 'The god box': Designing and building the chapel In: The Holy Box: the Genesis of Stanley Spencer's Sandham Memorial Chapel, Sansom &? Company, Bristol, United Kingdom
- Gough, P. (2017). 'Filling the Void': artistic interpretations of the empty battlefield In: Beyond Gallipoli, Monash University Publishing, Melbourne, Australia
- Gough, P. (2017). 'Dead air': The acoustic of war and peace - creative interpretations of the sounds of conflict and remembrance In: Modern Conflict and the Senses, Routledge, United Kingdom
- Gough, P. (2017). Stanley Spencer: Medical orderly, soldier, patient In: The Holy Box: the Genesis of Stanley Spencer's Sandham Memorial Chapel, Sansom &? Company, Bristol, United Kingdom
- Gough, P. (2017). A painter's progress: Spencer's materials, methods and working routine In: The Holy Box: the Genesis of Stanley Spencer's Sandham Memorial Chapel, Sansom &? Company, Bristol, United Kingdom
- Gough, P. (2017). �A concentrated utterance of total war�: Paul Nash, C.R.W. Nevinson and the Great War In: War and Art: A Visual History of Modern Conflict, Reaktion Books, United Kingdom
- Gough, P. (2017). 'Crossing No-Man's-Land and Back': A doctoral journey through art, war and the topographies of emptiness In: Doctoral Research in Art, Australian Scholarly Publishing, Melbourne, Australia
- World-Pictures: Path-Finding Across a Century of Wars, 1917-2017 (Administered by University of Melbourne). Funded by: 010-ARC Discovery Projects 2017 from (2017 to 2019)