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Photography is constantly dying and being reborn. AI represents the latest stage of photography's transformation into a software output, cannibalising the camera and even transforming it into a set of executable text prompts

If it is now clear that photography is a kind of 'program', and that images are operational, actionable and scrapable, what does this mean for the future of the medium? Both an exploration and a provocation, this exhibition features work by Australian and international artists speculating on the social and political ramifications of photography's afterlives. 

Exhibition Curators: Alison Bennett, Shane Hulbert, Daniel Palmer, Katrina Sluis 

Artists include: Memo Akten, Amrita Hepi, Max Pinckers and Dries Depoorter, Rosa Menkman, Sara Oscar, J. Rosenbaum, Sebastian Schmieg and Alan Warburton

Image: Sara Oscar, A hyperrealistic photograph of a 30 year old Thai woman, pregnant, suit, lost expression, Suvarnamhubi airport, luggage, carpark, 1970s - - scale 1:1, quality 1, 2023, AI generated image. Image courtesy of the artist.

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Provocations: Is It Too Late to Save the Internet?

Icon / Small / Calendar Created with Sketch. 06 May 2026

Trolls. Scams. Misinformation. Harassment. Can the internet still be a force for good?

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Provocations: What will we eat in the future?

Icon / Small / Calendar Created with Sketch. 01 Apr 2026

As climate change, population growth, and ecological collapse reshape how we produce and consume food, we need to think outside the (lunch) box to find solutions.

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Man with a Movie Camera + Live Score by Underground Lovers

Icon / Small / Location Created with Sketch. The Capitol

RMIT University proudly supports a special Castlemaine Documentary Festival film screening at RMIT's The Capitol. See Dziga Vertov's iconic 'Man With A Movie Camera' like never before, with a live score from Melbourne's legendary Underground Lovers.

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Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.

Learn more about our commitment to Indigenous cultures