The Lab is home to a lively group of more than 60 PhD, Masters and Honours candidates in creative writing, design, media, literary studies and allied fields. Alongside our creative project and thesis-based candidates, we have an invitation program for PhDs by creative practice through the PRS Australia (based in Melbourne) and the PRS Asia (based in Ho Chi Minh City, Vietnam).
Examples of the research undertaken by recent alumni and current students include:
Alvin Pang, a Singaporean poet, writer, editor and scholar with over two decades of international creative practice experience, has been published in more than twenty languages worldwide. In his 2020 PhD, conducted through the PRS Asia program, he explored the possibilities of literary practice conducted across multiple languages, genres, careers and communities.
Tresa’s practice-based study explores the ethics of writing other people’s stories in fiction. It focused on the creation of a novel manuscript, and examined stories written about refugees when the writer is from a different background to the characters. It argued that increased consultation with people from the backgrounds represented in the novel produces a different kind of manuscript to the one a writer might produce without this interaction.
My research creatively and critically engages with Simone de Beauvoir’s existential philosophy, her feminist thought and her theory of the novel — fiction as a valid and innovative method for exploring philosophical thought; one not inferior to other forms, and in which “living discovery” (Beauvoir 269) occurs for both the writer and the reader.
Psychoanalytic methods of working with unconscious material in the clinical setting might offer models for working with such material in a writing practice. Could states of mind that have been proposed by psychoanalytic thinkers as offering ways of noticing associations and generating unseen connections provide tools for the writer’s capacity to generate meaning in a narrative?
Pooja is a writer, educator, performer and festival maker based in Singapore. Her practice and research, conducted through the PRS Asia Program, are interested in ways marginalised and minority bodies can reclaim agency when making work in spaces and places not catered and designed for them. Her methodologies involve text based strategies and placemaking with the aim of creating engaged and activated communities.
My PhD research is an account of poetic experimentation; it describes an interrogation of feminist genealogies and feminist poetry within the constraint of an imagined ‘office’. The results became Moxie (Vagabond Press, 2020), a poetry collection displaying its own knowledge of historical precedents. I call this creative practice ‘Vintage Feminism’.
In order to maintain the highest levels of supervision for prospective students, the School of Media & Communication offers a set list of projects that build on our recognised research and supervision strengths.
Prospective students are invited to examine the lists below and to identify their preferred project. Applicants are required to discuss their selected project with the listed supervisor in the first instance, before following the application process outlined here.
For further information on the admissions process, please contact firstname.lastname@example.org
The School of Media & Communication enables postgraduate students to pursue their research and creative interests and extend their critical skills under the guidance of dedicated academic supervisors.
Acknowledgement of country
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business. - Artwork created by Louisa Bloomer
Acknowledgement of country
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business.