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A powerful and timely work of non-fiction, Monument traces the complex consequences of colonial settlement across the generations of an Australian settler family of Anglo-Irish origins, and the impacts on the Indigenous people with whom they come into contact.
The fourth edition of Writing in the Expanded Field the experimental writing and publishing project edited and led by Lucinda Strahan at the Australian Centre for Contemporary Art. Touching Feeling Writing responded to the major exhibition Paul Yore: WORD MADE FLESH, 23 September to 20 November 2022, curated by Max Delany in collaboration with Devon Ackermann and Paul Yore.
The A-Z of Creative Writing Methods is an alphabetical collection of essays to prompt consideration of method within creative writing research and practice. Contributors bring to this collection their distinct and diverse literary and cultural contexts, defining, expanding, and enacting the methods they describe, and providing new possibilities for Creative Writing practice.
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RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.
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