Join us at First Site Gallery for any of the following bead rolling workshops:
Nguyễn Ngọc Thảo is an artist, curator and educator who lives and works in Naarm/Melbourne. Her current art and research practice focusses on the weaponisation of language against Asian Australians, and how creative practice can notice, understand and ultimately resist against the impacts of Whiteness. tên tôi (my name) embraces and celebrates ethnic names through community-based workshops and a participatory art installation.
'Portable Stillness' (2025), is an ongoing spatial installation that explores how the making of miniature objects and floating altar-like displays can express memory, collection, and the domestic in transition. Motivated by the instability of diasporic living and continual relocation, Ko Jou Chen constructs handmade structures that carry memory and presence across her shifting environments.
'Slip' is a practice-led research project that explores the poetic qualities of the bluestones that have been discarded in recent construction works around RMIT University. Through the process of moulding and casting these stones into beeswax, Noah Bridger hopes to reimagine Melbourne’s urban landscape.
Chloe Rose Thomas’ exhibition, 'Can I Hold You?' centres on queer community and embodied practices of care, exploring what it means to take traditional photographic portraits of non-normative bodies and the histories they represent.
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.
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