Join us at First Site Gallery for any of the following bead rolling workshops:
Nguyễn Ngọc Thảo is an artist, curator and educator who lives and works in Naarm/Melbourne. Her current art and research practice focusses on the weaponisation of language against Asian Australians, and how creative practice can notice, understand and ultimately resist against the impacts of Whiteness. tên tôi (my name) embraces and celebrates ethnic names through community-based workshops and a participatory art installation.
'Surging through exits when the bell goes' is a design-led research project that examines how the aesthetics of high school environments and digital platforms shape the hidden curriculum of contemporary education. It traces how physical architectures of control have evolved into the visual and behavioural architectures of digital systems, focusing on behaviour monitoring systems.
Formed through slow, meditative processes of hand-stitching, wrapping and dyeing, 'Inheritance' weaves together Chowdhury’s lived experiences as a first-generation Bangladeshi-Australian artist.
'Steel Karkade' showcases the multifaceted experiences of Black women in the diaspora, as well as the artist’s South Sudanese heritage. For her, the livelihoods and narratives of her ancestors and the Black women who came before her are significantly underrepresented and unwritten; her practice endeavours to bring light and permanence to their stories and cultural history.
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.
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