Sreedhevi Iyer

Dr. Sreedhevi Iyer

Lecturer

Details

  • College: School of Media & Communication
  • Department: School - Media & Communication
  • Campus: City Campus Australia
  • sreedhevi.iyer@rmit.edu.au

Open to

  • Masters Research or PhD student supervision

About

Dr Iyer is the author of the research monograph Authentitcity and the Public Literary Self (Routledge)



Dr Iyer has presented writing workshops, and spoken on creative writing, literature, culture, globalism, cosmopolitanism and more at local and international venues, including Emerging Writers Festival, Melbourne Writers Festival, Brisbane Writers Festival, Australian Short Story Festival, George Town Literary Festival (Penang), Asia Pacific Writers and Translators (Bali, Gold Coast), Asia-Pacific LitUp Fest (Singapore), Hong Kong International Literary Festival, NonFictioNow (Melbourne, Arizona), Poetics and Linguistics Association (PALA)(Canterbury, Sheffield, West Chester), and THE POOL: Transnational Creatives (Stockholm).

 

Dr Sreedhevi Iyer's 'The Tiniest House of Time' was nominated for the SPN Book of the Year Award and has multiple editions across different countries. Her previous book, 'Jungle Without Water', was shortlisted for the Penang Monthly Book Award. Her work has been twice nominated for a Pushcart Prize in the US, and has appeared around the world, including in 'The Writer's Chronicle', 'Drunken Boat', 'Hotel Amerika', 'The Bellingham Review', 'The Asian American Literary Review', and 'Ginosko Literary Journal' in the US, the 'Free Word Centre' in the UK, the 'Asia Literary Review' and 'Cha: An Asian Literary Journal' in Hong Kong, 'Everything Around Us' in Malaysia, 'Two Thirds North' in Sweden, and more. She has also guest edited special issues of 'Cha' and 'Drunken Boat', including a Hong Kong Special Folio on The Umbrella Revolution 2014.

Research fields

  • 36 Creative arts and writing
  • 4705 Literary studies
  • 470213 Postcolonial studies

Academic positions

  • Writer-In-Residence
  • Lingnan University of Liberal Arts
  • , Hong Kong
  • 1 Feb 2017 – 31 Dec 2017

Supervisor projects

  • No tomorrow from differentiated perspectives: Deleuzean decompositions of Time-Loop Narratives.
  • 24 Feb 2023
  • The Yellow Woman in the Archives: How can a Chinese Australian fiction writer use archives to create unsettling historical narratives about Chinese Australian women?
  • 18 Jul 2022
  • Making Mischief: the naughty disposition in a non-fiction creative writing practice
  • 1 Mar 2022
  • Displacing Heterocentrism in Adaptation: Making New Space for Textual Queerness.
  • 20 Apr 2021

Research interests

Authenticity, DIscourse Analysis, Cosmopolitanism, Creative Writing Practice

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Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.