Soft Echoes Washing Over

Soft Echoes Washing Over

  • 07 Oct 2025 - 31 Oct 2025
  • 11:00am - 05:00pm
  • FREE
  • First Site Gallery
Storey Hall Basement, 344 Swanston Street, Melbourne
event header image

In this collaborative exhibition, Holly Goodridge and Catey Felton weave together photography, video and knitting to explore the fluid regenerative qualities of water and its entanglement with women's labour.

Grounded in hydrofeminist thought, the project began with an inquiry into water's role in artistic processes: as it can both reveal and conceal, holding within it the power to preserve, distort and dissolve subjects.

Soft Echoes Washing Over invites viewers into multi-sensory environment where memory, care and domestic ritual intertwine.

 

Holly Goodridge is a neurodivergent artist working across wearable textiles, installation and participatory practices. Their work explores the embodied experience of neurodivergence and chronic illness through hand-knitted, embroidered garments and immersive environments that invite audiences to slow down, engage through touch and experience moments of connection.

Catey Felton, a visual artist and photographer whose practice spans both digital and analogue processes, explores the intricate relationship between memory and image-making. This work investigates how photographs act as vessels of personal and collective histories. Drawing from hydrofeminist theory, she challenges conventional associations of fluidity with dilution or weakness, instead embracing water’s power to reveal, sustain and transform memory.

Image: Nan's House, Catey Felton, 2024. Image courtesy of the artist.

Opening Hours

11am - 5pm Tuesday to Friday

Closed on public holidays

Share

Related events

1220x732-ko-jou-chen.jpg

'Portable Stillness' by Ko Jou Chen

Icon / Small / CalendarCreated with Sketch. 19 May 2026 - 12 Jun 2026

'Portable Stillness' (2025), is an ongoing spatial installation that explores how the making of miniature objects and floating altar-like displays can express memory, collection, and the domestic in transition. Motivated by the instability of diasporic living and continual relocation, Ko Jou Chen constructs handmade structures that carry memory and presence across her shifting environments.

1220x732-noah-bridger-first-site.jpg

'Slip' by Noah Bridger

Icon / Small / CalendarCreated with Sketch. 19 May 2026 - 12 Jun 2026

'Slip' is a practice-led research project that explores the poetic qualities of the bluestones that have been discarded in recent construction works around RMIT University. Through the process of moulding and casting these stones into beeswax, Noah Bridger hopes to reimagine Melbourne’s urban landscape.

1220x732-chloe-rose-thomas.jpg

'Can I Hold You?' by Chloe Rose Thomas

Icon / Small / CalendarCreated with Sketch. 19 May 2026 - 12 Jun 2026

Chloe Rose Thomas’ exhibition, 'Can I Hold You?' centres on queer community and embodied practices of care, exploring what it means to take traditional photographic portraits of non-normative bodies and the histories they represent.

aboriginal flag float-starttorres strait flag float-start

Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.

Learn more about our commitment to Indigenous cultures