Courtney Coombs is an artist, maker, and educator specialising in socially engaged practice and practice-based research spanning object design, weaving, installation, and public art. They have exhibited nationally and internationally and hold a PhD in Visual Art (Practice-based Research) from QUT, a Master of Fine Arts from the University of Bergen, and a Bachelor of Fine Arts (Honours) from QUT. With extensive experience in developing and realising complex concepts as cohesive projects, Courtney has secured local, state, and federal funding and received numerous awards, including the Vice-Chancellor's Award for Excellence in Sessional Teaching. They have co-founded multiple artist-run initiatives such as No Frills* and LEVEL, served as Director of Outer Space, and continue to maintain an active exhibition practice while contributing to critical discourse on gender, sexuality, and inequity in contemporary art and design.
Courtney fosters collaborative, non-hierarchical learning environments that support students in pushing creative and conceptual boundaries. Their approach emphasises flexible mentoring tailored to socially engaged and community-led design, practice-based research methodologies, queer and decolonial design approaches, and collaborative design processes. Since 2008, they have taught across Undergraduate, Honours, and Masters programs as tutor, lecturer, and unit coordinator, working with cohorts in Visual Arts, Design, Industrial Design, and Creative Industries. Guided by the belief that education is both a privilege and a right, their pedagogy centres on creating safe, inclusive spaces where diverse perspectives are valued and empowered.
Courtney’s research interrogates inequity and experiences of 'otherness' through queer feminist methodologies of abstraction, recontextualisation, and queering normative ways of thinking. Their current projects examine how natural and industrial landscapes, alongside sustainable materials and practices, can act as connective frameworks for recognising and celebrating difference. This continues earlier research undertaken during their PhD, which investigated the intersection of gender politics and the legacies of Minimalist and Conceptual Art. As co-founder of Kink Collective, they contribute to documenting and shaping a history of queer Australian art through publishing, scholarship, advocacy, and public access initiatives. Additional research interests include creative pedagogy and the evolving relationship between technology and craft-based practice. Their practice-led outputs manifest as dialogical art, sculptural works, and critical writing, with a central aim of generating positive cultural and structural change.
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.
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