Courtney Coombs is an artist, maker, and educator specialising in socially engaged practice and practice-based research across object design, weaving, installation, and public art, with national and international exhibition experience. With a PhD in Visual Art (Practice-based Research) from QUT, a Masters in Fine Arts from the University of Bergen, and a Bachelor of Fine Arts (Honours) from QUT, they bring extensive academic experience in transforming complex concepts into cohesive projects. They have secured a range of local, state, and federal funding and received numerous awards, including the Vice-Chancellor's Award for Excellence in Sessional Teaching. Courtney has co-founded multiple artist-run initiatives, including No Frills*, LEVEL, and served as Director of Outer Space, whilst maintaining an active exhibition practice and contributing to discourse on gender, sexuality, and inequity in contemporary art.
Courtney creates collaborative, non-hierarchical learning environments that encourage students to push creative boundaries, offering flexible mentoring particularly suited to socially engaged and community-led design, practice-based research methodologies, queer and decolonial design approaches, and collaborative design processes. Since 2008, they have taught across Undergraduate, Honours, and Masters degrees as tutor, lecturer, and unit coordinator, working with students in Visual Arts, Design, and Creative Industries. Their teaching philosophy centres on education as both privilege and right, creating safe spaces where diverse voices are valued and heard.
Courtney's research focuses on issues of inequity and 'otherness', employing queer feminist methodologies that involve abstraction and recontextualisation. Their current investigation explores how natural and industrial landscapes can act as connective tools for highlighting and celebrating difference. This work builds on previous research into gender and sexuality inequity, including their PhD project, which examined the relationship between gender politics and the legacies of Minimalist and Conceptual Art. As co-founder of Kink Collective, they research and formalise a history of queer Australian art through publishing, scholarship, advocacy, and public access initiatives. Their research also encompasses creative pedagogy and the relationship between technology and craft-based skills. Their practice-based research outputs take the form of dialogical art, sculptural works, and written articles, all aimed at contributing to positive change in the sector.
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.
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