Stayci Taylor

Dr. Stayci Taylor

Senior Lecturer

Details

  • College: School of Media & Communication
  • Department: School - Media & Communication
  • Campus: City Campus Australia
  • stayci.taylor@rmit.edu.au

Open to

  • Media enquiries
  • Masters Research or PhD student supervision

About

Stayci is an award-winning screenwriter and researcher. Drawing on her theatre/TV background, she publishes on screenwriting and creative writing, from perspectives including gender, comedy and web series.

Stayci joined the teaching staff of RMIT as a sessional lecturer, tutor and studio leader in 2014, while still completing her PhD, which involved the writing of a feature film screenplay and a critical dissertation on female perspectives in comedies. Mostly teaching into the Bachelor of Arts (Creative Writing), Stayci was also a guest teacher for courses in the Higher Degree by Research and Professional Writing and Editing programs, as well as teaching screenwriting at La Trobe University. In 2017 she was appointed an Industry Fellow and Lecturer with RMIT's Media Program. She became an ongoing lecturer in 2019, and was promoted to Senior Lecturer in 2022.

Stayci has authored, or co-authored, upwards of 35 articles and book chapters across a breadth of research interests including screenwriting practice, script development, web series, nonfiction, gender and comedy. She is the co-editor of two books on script development for Palgrave Macmillan published in 2021. She has two forthcoming co-edited collections, one on creative writing methodologies, and another about the iconic Australian TV series Prisoner and Wentworth. Stayci also writes industry articles, including her tribute to Robin Williams in The Conversation which was their most read article in the month of August 2014, as well as a co-authored piece about diary keeping in COVID, with 25,000+ reads at the time of writing across eight publishers. The piece struck a chord with talkback radio producers, leading to upwards of 80 media hits, with a potential audience of more than 6 million people. Other expert commentary includes contribution to an article for BBC Australia on subversive Australian comedians.

Stayci was a long serving member of RMIT’s Women Researchers’ Network steering committee from 2017-2021, including two years as deputy chair. In 2021 she was elected to Chair when she led the network through the research challenges of the pandemic, and coordinated the organisation of the annual symposium.

Stayci is interested in the theory and practice of screenwriting, as well as creative writing and creative practice research more broadly. She offers commentary and expertise in gender and comedy, screenwriting craft, screenwriting scholarship and web series. In 2017 she won the RMIT Prize for Research Excellence (HDR, Design). She continues a professional practice as a screenwriter, script editor and story consultant, and her television scripts have earned wins and nominations in the prestigious Qantas Television Awards and Screenwriting Awards of NZ.

Industry experience:
Stayci trained as an actor with Melbourne's John Bolton Theatre School in 1992, which specialises in devised theatre. She has performed in numerous professional productions, many of her own writing and making, and toured comedy shows to festivals worldwide, including the renowned international fringe festivals of Edinburgh and Adelaide.

Since turning her hand to screenwriting in 2003, she has storylined, scripted, script edited and consulted on over a dozen series for broadcast in New Zealand, including writing nine seasons of an award-winning bilingual soap, and the co-creation of a primetime sitcom.

She currently has a comedy in development with Greenstone TV (part of the CJZ group), written with the support of the New Zealand Film Commission's highly contestable early development fund.

Since 2016, Stayci has been an active contributor to the Melbourne Web Fest; Australasia's largest and most prestigious web series festival, serving as the school's partnership manager, a grand jury member, a panel moderator and mentor for participants.

Awards:
2020:
RMIT Media Stars Awards: certificate of recognition for ‘top performer’

2018:
Australian Writers Guild Monte Miller scriptwriting awards: longlisted

2017:
RMIT Prize for Research Excellence - HDR (Design)

2016:
RMIT Higher Degree by Research Publishing Grant
RMIT Prize for Research Impact - HDR (Design): shortlisted

2014:
RMIT ‘LEAD’: certificate for valuable contribution to quality of student life

2013:
2013–16 Australian Postgraduate Award scholarship: to students of exceptional research potential undertaking an HDR in Australia

2012:
Script Writing Awards of New Zealand: finalist, Best Comedy Script

2005:
Qantas Television Awards (NZ): Best Māori Programme (script writer and script editor)
Qantas Media Awards (NZ): finalist, Best Info/Education Programme (as above)

2004:
48Hours Film Challenge: Grand Final Winner (writing team)
Richmond Road Short Film Festival: Best Screenplay

Supervisor projects

  • Gen Z Television Makeovers: Postfeminist Teenage Dramas and Their Fourth-Wave Feminist Reboots
  • 3 Jul 2024
  • Reclaiming Identity: A Kyriarchal Lens on Institutionalisation and Pedagogical Development within the Context of Stolen Generation Narratives
  • 14 Mar 2024
  • What the broadcast voice reveals and the role of the empathic and vulnerable self when the creative practice and the personal intersect
  • 2 Jan 2024
  • Perception and understanding of privacy among queer people in Nepal: How do they see and express themselves in digital spaces?
  • 25 Aug 2023
  • Queer Joy: Comedy in Queer Graphic Narratives
  • 28 Jun 2022
  • Re-imagining First Nations Screenwriting and Cinema Discourse in the Australian Context: a critical approach to writing an experimental First Nations feature comedy screenplay
  • 7 Apr 2022
  • My Unhallowed Arts: Hybridising and Remixing the Creation Scene from Frankenstein to Stitch Together New Screenwriting Methods
  • 24 Feb 2022
  • The Social Alien: Otherness and Identity Exploration Within Doctor Who Fandom
  • 1 Jan 2022
  • Performing the Self: Parafictional Persona and the Comedian Comedy
  • 10 Dec 2019
  • "the moment of shooting": Embracing Improvisation Towards Efficiency in the Creation of Micro-Budget Interactive Short Films
  • 19 Nov 2019
  • “I Can’t Describe What I’m Feeling”: Reframing Autism and Hollywood Action Towards an Autistic Screenwriting Practice
  • 12 Dec 2018
  • Sceneplay - "'A Screenwriting Project of Non-compliance'
  • 22 Oct 2018
  • From Screen Celebrity to Social Media Influencer. 
  • 5 Mar 2018
  • The Unbearable Whiteness of Being Asian Australian: Confronting Assimilation Through Autoethnographic Reflection
  • 28 Feb 2018
  • Baghdadi Street Life ( ﺑﻐﺪادي ﺷﺎرع ﺣﯿﺎة ): Using I-Doc Practice to Challenge Stereotypes of Iraq and Iraqis in Hollywood Cinema
  • 1 Feb 2018

Teaching interests

Supervisor interest areas:
-Creative practice methodologies investigating screen writing,
-Script development
-Web series
-Comedy
-Creative writing

Supervisor projects:
-'I was a different man then': Global masculinities in popular genre film and television
Candidate: Clementine Bastow
Supervisors: Glen Donnar and Stayci Taylor

-Sex, Aliens and Cosplay: Otherness and the fan connection in Doctor Who
Candidate: Kathryn Beaton
Supervisors: Djoymi Baker and Stayci Taylor

-Once More With Feeling: Writing emotion for the satisfying Australian romantic comedy screenplay.
Candidate: Philippa Burne
Supervisors: Stephen Gaunson and Stayci Taylor

-‘Sceneplay’: A screenwriting project of non-compliance
Candidate: Christine Davey
Supervisors: Daniel Harris and Stayci Taylor

-Parafictional persona in the comedian comedy
Candidate: Bradley Dixon
Supervisors: Alexia Kannas and Stayci Taylor

-Play, experiments and new directions: Literary comedy and gender
Candidate: Nicole Smith
Supervisors: Stayci Taylor and Julienne Van Loon

-Unhallowed Arts: Hybridising and remixing the creation scene from Frankenstein
Candidate: Noah Southam
Supervisors: Alexia Kannas and Stayci Taylor

-The Summit
Candidate: Eugene Yang
Supervisors: Lukas Parker, Ronnie Scott and Stayci Taylor

-External Associate Supervision (University of South Australia)
Story Archetypes and ‘Complex’ Television: Structuring Long Form Screenplays and The Nature of Change in the Television Drama Protagonist
Candidate: Marco Ianniello
Supervisors: Craig Batty and Stayci Taylor

Programs
IBH104 - Master of Media
(https://www.rmit.edu.au/study-with-us/media)
BH104 - Bachelor of Arts (Creative Writing)
(https://www.rmit.edu.au/study-with-us/communication/communication-and-writing)

Research interests

Stayci’s research impact and contributions are in the fields of screenwriting research and creative writing.

Connecting her research is an ethnographic creative practice methodology, drawing on feminist/queer theory, producing empirical data based on interviews with screenwriters, ethnographic fieldwork on diary keeping with research collective Symphony of Awkward and ‘applied creative writing’ projects with STREAT social enterprise.

Currently Stayci is working with researchers from three universities on a developing project investigating queer screen production in Australia.

Research keywords:
Screenwriting, Script Development, Comedy, Web Series, Creative Writing, Gender, Feminism, Creative Practice, Creative Practice Research, Interdisciplinary Collaboration

Initiatives and links

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Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.