Sang Thai (he/him) is a designer, lecturer, and creative practice researcher based in Naarm (Melbourne) at RMIT University School of Fashion and Textiles. With extensive industry experience in Australia and internationally, his research focuses on masculinities, intersectionality, and inclusive fashion design practices. His creative practice examines the semiotic and agential potential of materials to explore how cultural difference and sexuality intersect in the fashioning of masculinities.
Sang teaches in the Bachelor of Fashion Design program at RMIT, specializing in Diversity and Inclusion, and leads industry-partnered projects, bridging critical theory and design exploration. He mentors students in preparation for the industry through studio learning, curriculum development, course coordination, WIL (work-integrated learning)/Partner Projects, and International study tours.
Sang coordinates and leads WIL (work-integrated learning) and Partnered Projects courses in the Bachelor of Fashion Design program through negotiating, developing, and integrating partnered outcomes into the design studio curriculum, including the development and alignment of project briefs to deliver the course and program learning outcomes.
Project partners have included: Disney, ACMI, Melbourne and Olympic Park Trust (MOPT), MERGE: M-Pavillion x Open House Melbourne x Melbourne Music Week, Australian Grand Prix Corporation, Vic Police, Roadshow Films, Melbourne Fringe Festival, and Oroton among others.
Sang's practice draws on his extensive industry experience in retail and wholesale fashion product design and development, end to end, from strategy conception to delivery into store. He has experience in design and development across a broad range of product categories, as well as leading and mentoring design and development teams in Head Designer/Senior Designer roles.
Sang has an interest in masculinity, intersectionality, and inclusive fashion design. He is particularly interested in creative practices that challenge and disrupt marginalisation in fashion. Through creative practice, his work explores how intersectional experiences of fashion and dress can inform practice that challenges the marginlisation associated with the intersecting conditions of cultural difference and sexuality.
Practice: www.yellowishfever.com
Research keywords:
Inclusive Fashion Design Practice, Intersectionality, Gender, Masculinity, Asian Diaspora, Critical Practice, Creative Practice Research
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.
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