Grace McQuilten

Professor Grace McQuilten

Associate Dean, Research & Innovation

Details

Open to

  • Media enquiries
  • Masters Research or PhD student supervision

About

Grace McQuilten is a published art historian, curator and artist with expertise in contemporary art and design, public art, social practice, social enterprise and community development.

Grace is Associate Dean of Research and Innovation in the School of Art at RMIT University. Her research champions inclusive models of curatorship and art history. Her work explores new approaches to the visual arts economy, including arts-based social enterprise, and explores questions of social justice, equity, diversity and inclusion in contemporary art, craft and design.

Grace's book publications include Variations: A More Diverse Picture of Contemporary Art, with co-authors Tristen Harwood and Anthony White (Monash University Publishing, 2023), Dystopian & Utopian Impulses in Artmaking with co-editor Daniel Palmer (Intellect, 2023), Art-based Social Enterprise, Young Creatives & the Forces of Marginalization with co-authors Amy Spiers, Kim Humphery and Peter Kelly (Palgrave, 2022), Art as Enterprise: Social and Economic Engagement in Contemporary Art, with co-author Anthony White (IB Tauris, 2015) and Art in Consumer Culture (Routledge, 2011). Grace has published widely across refereed and unrefereed publications, including creative works in literary journals, authored exhibition catalogues, working as an editor on local newspapers and engaging widely with local and national media.

Grace's curatorial research makes a significant contribution to models of community engagement, particularly by collaborating with emerging artists from diverse communities and social and cultural backgrounds as co-curators and co-producers. Through this work, she has supported cross-cultural exchange between Australian and Vietnamese artists and makers; and new migrant and refugee communities including Horn of Africa communities, Burmese and Afghani communities and Pasifika communities. Her exhibitions have been presented across large, medium and small institutions and independent public spaces. Collectively, the exhibitions have reached audiences of 10,000+ and generated media coverage including in The Age, The Daily Review, ABC Radio and numerous online media outlets.

Grace is the recipient of multiple prizes and awards, including Australian Research Council funding. She is Lead Investigator on ARC Linkage Project 'Ambitious & Fair: Sustainable Strategies for the Australian Visual Arts Sector' with Marnie Badham, Kate MacNeill and Jenny Lye and industry partners the National Association of the Visual Arts and Australian Museums and Galleries Association. She is also Chief Investigator on the ARC Discovery Project 'Care and Repair: Rethinking Contemporary Curation for Conditions of Crisis' with Tara Macdowell, Michelle Antoinette and Rimi Khan. Previous ARC grants include 'Recentring Australian Art' (DP180103920, 2019-2023) and 'Art Based Social Enterprises and Marginalised Young People's Transitions' (DP170100547, 2017-2022).

Industry experience:
Grace has a strong background in industry, particularly as the founding CEO & a current Board Director of The Social Studio, a fashion and art based social enterprise working with young people from humanitarian migrant backgrounds in Melbourne. Through this work she has supported the start-up of eight art-based social enterprises across Australia and continues to advise community and industry partners on community development and social enterprise leadership.

Professional Experiences:
CEO, The Social Studio (2009-2014)
Arts Project Australia, Contemporary Outsider Art: The Global Context Conference Coordinator, 2014
Melbourne School of Government Project Manager 2013
The Ian Potter Museum of Art – Guest Curator, University of Melbourne, 2010-11 & 2006
The Ambassador Newspaper Editor and Graphic Designer, Adult Migrant Education and Settlement Service (AMES), Melbourne (from 2007)
Al Muhajir / The Migrant Newspaper Co-editor, Melbourne 2006
Dan Flavin Archive Research Assistant, Dia Centre for the Arts, New York, USA 2004
Research Officer, Kamcorp Industrial Relations, 2000-2002

Industry Advisory Roles:
A New Approach, Financial inflows in arts, culture and creativity - report reviewer, 2023
Inner North Community Foundation - Baker’s Dozen Social Justice Fund Advisory Group (2021-22)
Frankie Good Stuff Awards Judge (2019)
Melbourne Business School Compass program Advisory Group (2015-16)
Gertrude Contemporary Art Emerging Writers Program Mentor (2016)
Social Enterprise Advisor, Melbourne Business School Compass program (2015)
National Association for the Visual Arts (Industry advisor) (2013)
Victorian Training Awards (Judge, Enterprise of the Year) (2013)
AuSud Media Project, Centre for Advanced Journalism, the University of Melbourne (2011)

Awards:
2022 DSC Teaching & Learning Award for Socially Engaged Curriculum (with Dr Kelly Hussey-Smith, Dr Fleur Summers, Dr Mark Edgoose and Dr Ruth DeSouza)
2020 ACUADS Distinguished Research Award
2019 RMIT Research Award for Impact - Enterprise
2013 Ian Potter Foundation Travel Scholarship
2012 Churchill Fellowship
2011 NAVA Emerging Curator Award
2011 Vodafone World of Difference Award

Non-academic positions

  • Founding CEO and current Board Director
  • The Social Studio
  • , Australia
  • 2009 – Present

Supervisor projects

  • We Care a Lot: Artist-led Strategies Towards a New Commons for the Visual Arts
  • 15 Apr 2024
  • Segues from memories to materiality
  • 18 Jul 2023
  • Visualisations and materialisations of the tree in Indigenous art
  • 3 Jan 2023
  • Upside-down and monstrously misunderstood: an exploration of autism with Bats & Sharks
  • 5 Dec 2022
  • The Peace Centre: exploring plant-artist relationship as a site of resistance
  • 1 Aug 2022
  • Voices to Sing and Hands to Create: Expressions of Authentic Difference
  • 17 Feb 2022
  • Celebrating culture and critically understanding Whiteness through creative practice
  • 20 Jul 2021
  • A new curatorial; method, care and the feminine
  • 11 Jun 2021
  • Navigating the Social and the Commercial: Marketing Fashion-Based Social Enterprise
  • 11 Jun 2020
  • Transitioning: expressions of affect, sensation and action
  • 21 Aug 2019
  • Caring In and Through Our Practices Towards Shared and Reflexive Communities of Curatorial Care
  • 19 Aug 2019
  • Safe Space as Praxis: Creating (Affective) Conditions for World-Building, Care and Futures for Young People in the Creative Arts
  • 3 Aug 2019
  • Trauma, Dissociation and the Boarding School Experience
  • 6 May 2019
  • Narratives of Emergence: Revealing an Image of Female Iranian Rebellion
  • 30 Aug 2018
  • The Double Agent: transdisciplinary creative practice in the public realm. 
  • 2 Jul 2018
  • Subtle Bodies: Transcorporeal Becoming in Threshold Realms
  • 1 Mar 2018
  • Creativity and Conservatism: A Praxis Investigation into the Formation of Saudi Female Artistic Identity
  • 1 Mar 2017
  • Becoming (Again and Again): Transforming Patriarchal Hierarchies of Bodies and Objects Within Dance and Sculptural Practice
  • 27 Sep 2016

Teaching interests

Supervisor interest areas:
Contemporary art
Social practice
Co-design
Craft,
Design
Art and community development
Art and sustainability
Art enterprise
Social enterprise
Alternative economies
Creative industries
Equity and justice in the arts
Decentring/recentring art history

Supervisor projects:
Jacina Leong, Towards a careful approach to curatorial and social innovation practice
Chiara Grassia, Forging our own futures: young people, creative spaces and affect
Thao Nguyen, Temporary Text(iles)
Jon Hewitt, Navigating the social and the commercial: Marketing fashion based Social Enterprise in Southeast Asia
Rafaela Pandolfini, A new curatorial; method, care and the feminine
Michaela Pegum, Subtle bodies: corporeal and material becoming in threshold landscapes
Simon Crosbie, Dissociation and the visual language of trauma
Grace Leone, The Double Agent: transdisciplinary creative practice in the public realm

Program:
Art: History+Theory+Cultures (https://www.rmit.edu.au/study-with-us/art/fine-and-visual-art)

Research interests

Grace's research has several focus points, including (1) transforming our understandings of contemporary art to center and privilege greater diversity - in terms of culture, ethnicity, ability, neurodiversity and socio-economic access; (2) improving the visual arts industry to provide greater equity for artists and arts workers and expanding knowledge of art-based social enterprises; (3) increasing recognition of the links between art, craft, design and sustainable communities; and (4) bringing together contemporary art and sensory engagement to support mental health and wellbeing, with a focus on children and young people.

Research keywords
contemporary art, public art, social practice, craft, design, fashion, art and community development, art and sustainability, art enterprise, social enterprise, alternative economies, creative industries, outsider/outlier art, equity and justice in the arts, decentring/recentring art history
aboriginal flag
torres strait flag

Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.