Dr Daniel Binns is a tinkerer-theorist exploring creative technologies’ impact on storytelling and media cultures. A leading scholar on digital creativity and media practices, Daniel has published on Netflix documentary style, drones and game engines in filmmaking, and the evolution of media genres including the war film and superhero media; his two monographs to date are The Hollywood War Film (2017) and Material Media-Making in the Digital Age (2021). Daniel's creative practice background includes screenwriting, directing, and producing for Seven Network, TV2, Fox Sports and National Geographic, and his work has featured in over 20 international festivals and streaming platforms.
Daniel teaches into the Bachelor of Communication (Media), running praxical studios on cross-media production and media philosophy. He served as Program Director and Studios Coordinator between 2017 and 2023.
Daniel supervises PhD and Masters projects on genre cinema, film histories and technologies, media philosophy, and creative practice research. Daniel ran the eco_media symposium from 2019-2022; this research group has published journal articles, and the edited collection "The Climate Catastrophe: A Critical and Creative Survival Guide" will be published in 2025.
Creative technology; AI and creativity; screen and media cultures; media/cinema theory and philosophy; cross-platform storytelling and transmedia studies; digital/internet history and theory.
Acknowledgement of Country
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.