Philip Samartzis

Professor Philip Samartzis

Professor

Details

Open to

  • Media enquiries
  • Masters Research or PhD student supervision

About

Philip Samartzis is a sound artist, researcher, and curator specializing in documenting the social and environmental conditions of remote and extreme regions. His work captures the impact of climate change through advanced audio technologies, producing recordings for teaching, exhibitions, and publications. He has worked extensively in Antarctica, the Swiss and Australian Alps, and the Kimberley and Pilbara regions of Western Australia.   In 2024, Philip received the RMIT Research Award for Engagement and Impact for Kulininpalaju, a four-year sound archive project produced in collaboration with the Martumili community in Western Australia. This initiative highlights his commitment to fostering cross-cultural partnerships and preserving unique sonic environments.   Philip has been awarded the Australian Antarctic Territory Fellowship three times and is currently leading a 20-year sound study of Antarctica, documenting the changing sonic environment of the ice continent. His book, Antarctica: An Absent Presence (Thames and Hudson), has become a key resource in soundscape studies and geohumanities, used by institutions including the London College of Communication and Durham University. In 2021, he was honoured with the Australian Council of University Art and Design Schools Distinguished Research Award. Highlighting the significance of his research, Australia Post featured Philip on a $2.20 postage stamp commemorating the Australian Antarctic Territory Arts Fellowship.   In 2019, Philip was awarded a Swiss National Science Foundation Fellowship to conduct research at the High Altitude Research Centre at Jungfraujoch, with outcomes featured in The New York Times and Deutsche Welle Radio. His alpine and Antarctic research has been exhibited internationally, including in Switzerland, France, Italy, China, and Japan. Recently, he received a Creative Australia International Engagement Grant to document subterranean soundscapes in Valais, Switzerland, in collaboration with the Verbier 3-D Foundation and Valais School of Art.   Industry Experience
Philip has collaborated with leading organizations, including: • Australian Antarctic Division • Bogong Centre for Sound Culture • Creative Australia  • Creative Victoria • High Altitude Research Station (Jungfraujoch and Gornergrat) • Martumili Arts • The National Gallery of Victoria • Swiss National Science Foundation • Verbier 3-D Foundation   Philip’s work combines art and research to document and interpret environmental and cultural change, positioning sound as a critical tool for understanding and communicating these transformations.

Research fields

  • 360602 Fine arts
  • 360699 Visual arts not elsewhere classified

UN sustainable development goals

  • 13 Climate Action

Supervisor projects

  • Calling to Country: Weaving Sounds and Stories of Movement
  • 22 Apr 2024
  • Meta-Mangrovis : Perception of Ecological Transformation of Mangrove Landscapes through Contemporary Sonic Arts Practice
  • 4 Dec 2023
  • Environment Art & Cultural Ecologies
  • 8 Feb 2023
  • Infinite Paths through the Poison Garden: Alternative Ontologies to Anthropocentrism
  • 10 Dec 2021
  • The Smallest Measure: signifiers of atmospheres in transformation
  • 8 Dec 2021
  • Porosity of the Frame: material experiments on the boundary between art and everyday life
  • 6 Aug 2021
  • Noisemaker: In Search of Indian Noise Music
  • 26 Oct 2020
  • Sound of Spaces: Spaces from Sound.
  • 9 Sep 2020
  • Being Weird: Collaboration, Contamination, and Worlding with Nonhumans
  • 15 Mar 2019
  • The Bruiteur: Noise and Listening in Performance
  • 27 Feb 2019
  • Unveiling the Umterweltoir: Framing natural environments to expose the looping nature of our listening to and feeling in them.
  • 1 Mar 2017
  • Sounding Transformation in Three Cities: Articulating encounters of sonic shifts in Kaifeng, Melbourne and Suzhou through field recording practice and sound composition
  • 22 Feb 2016
  • Halfway to Paradise: documenting people and place, fictional constructs and considerations for post-documentary
  • 17 Sep 2015
  • Site unseen: perception of place within contemporary sonic arts practices
  • 5 Jan 2015
  • Fields of Resonance: Towards Embodied Forms of Listening and Looking 
  • 3 Jan 2014
  • Spatial Audio Engineering: exploring height in acoustic space
  • 1 Apr 2013

Teaching interests

Supervisor interest areas:
Sound Art
Experimental Music
Acoustic Ecology
Antarctica
Alpine Ecologies

Program:
BP201 – Bachelor of Arts (Fine Art) (https://www.rmit.edu.au/study-with-us/art/fine-and-visual-art)

Supervisor projects:

• Jessie Boylen: The Smallest Measure: signifiers of atmospheres in transformation

• Dameeli Coates: Calling to Country: Weaving Sounds and Stories of Movement


• K Sukirthalingam Kanagalingam: Melting Icescapes / Black Landscapes – Visualising Glacial Melt in the Nepal Himalayas

• Justas Pipinis: Porosity of the Frame: material experiments on the boundary between art and everyday life


• Pratyay Raha: Investigating the role and application of contemporary sound arts in simulating and studying mangrove forest environments


• Damien Rudd: Future Memories: Rethinking climate communication though the essay film


• Adele Wilkes: Infinite Paths through the Poison Garden: Alternative Ontologies to Anthropocentrism

Research interests

Philip Samartzis is a Chief Investigator on the ARC Discovery Project Creative Antarctica: Artists and Writers in the Far South and is the recipient of three Australian Antarctic Territory Fellowships which he is using to map the soundscape of Eastern Antarctica. He is the recipient of a Swiss National Science Foundation Fellowship, and Creative Australia International Engagement grant to record the impact of climate change on high altitude alpine ecologies. His research has been presented nationally and internationally including the National Gallery of Victoria; the Art Gallery of NSW; the Art Gallery of South Australia; the Intercommunication Centre in Tokyo; and the San Francisco Museum of Modern Art.

Research keywords:
Sound Art, Soundscape, Eco-Acoustics, Acoustic Ecology, Bioacoustics, Antarctica, Alpine Environments

Awards:

2024 RMIT Research Award for Engagement and Impact
2021 ACUADS Distinguished Research Award
2021 GEO Art Prize - Video and Music Category for Atmospheres and Disturbances
2019 Prix ARS Electronica Honorary Mention for Digital Musics & Sound Art for Polar Force (with Eugene Ughetti)

aboriginal flag
torres strait flag

Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.