Dr Joel Stern is a researcher, curator, and artist based in Naarm/Melbourne, Australia. Informed by a background in experimental music and sonic art, his work explores how practices of sound and listening shape contemporary social, technological, and political realities. From 2022 to 2025, he was Vice-Chancellor’s Postdoctoral Fellow in the School of Media and Communication at RMIT University.
In 2020, together with Sean Dockray and James Parker, Stern co-founded Machine Listening, a platform for collaborative research and artistic experimentation. The collective works across writing, installation, performance, software, curation, pedagogy, and radio. Their work has been presented at major institutions including the Australian Centre for Contemporary Art, Cricoteka Tadeusz Kantor Museum (Kraków), Warsaw Museum of Modern Art, Galerie Nord (Berlin), the National Communication Museum, RMIT Design Hub, and MUMA. They have performed at Unsound Festival, Soft Centre, and Melbourne Recital Centre, among others. Machine Listening’s projects frequently focus on the politics of datasets and algorithmic systems.
Machine Listening evolved from Stern’s earlier collaboration with Parker on Eavesdropping, a major curatorial and research project presented at the Ian Potter Museum of Art (University of Melbourne) and City Gallery Wellington. Addressing the capture and control of sonic life, Eavesdropping comprised exhibitions, public programs, and publications, forming the basis of Stern’s PhD thesis, Eavesdropping: The Politics, Ethics, and Art of Listening (Monash University, 2020).
In 2024, with Dockray, Stern curated This Hideous Replica, an exhibition and public program exploring replication and duplication in the context of emerging technologies. From 2013 to 2022, he was Artistic Director of Liquid Architecture, establishing it as a leading platform for sonic art and experimental listening practices.
Artworks/Performances (selection)
Curatorial (selection)
Sound Studies, Sound Art, Experimental Music, Art Theory and Critisim, Art and AI, Automation and Culture, Platform Studies, Critical Data Studies,
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.
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