Jacina Leong

Dr. Jacina Leong

Research Fellow (Level A)

Details

Open to

  • Collaborative projects
  • Industry Projects
  • Join a web conference as a panellist or speaker
  • Media enquiries
  • Membership of an advisory committee
  • Mentoring (short-term)

About

Dr Jacina Leong 梁玉明 is an artist-curator, researcher and educator working across cultural, educational and social impact contexts. Her practice examines how cultural organisations facilitate gathering in response to crisis while interrogating the systemic conditions that shape arts and cultural work. Drawing on 18 years of experience in organisational leadership, transdisciplinary research, and socially engaged creative practice, she addresses social infrastructure and infrastructural critique; the entanglement of climate crisis, burnout, and arts labour; and the politics and ethics of care. She is also concerned with what it means to sustain practice, and toward what end, often thinking with meridians, breath, and composting as metaphor, method, and ethic.

 

From 2023 to 2024, she was Acting CEO/Director of Next Wave, leading organisational strategy, partnerships, and long-term planning for the not-for-profit organisation and developing cross-sector collaborations with A Climate for Art and CAST (Contemporary Art and Social Transformation), and securing a nine-year tenancy of the Brunswick Mechanics Institute.

Her earlier roles span governance, leadership, curatorial, and public engagement work alongside sustained higher education practice as a researcher, educator, and postgraduate supervisor. This includes Co-Chair (2023-2025) and Co-Director of Bus Projects (2021–2022); Public Programs Curator at The Cube (2012–2017) and Ipswich Art Gallery (2009–2011); Gallery Manager at Jan Murphy Gallery (2011–2012); Creative Producer for the Creative Industries Precinct (2008); mentor for the ACMI CEO Digital Mentoring Program (2022); and co-founder of the Ars Electronica Guerrilla Knowledge Unit (2017).

 

Jacina is currently a Research Fellow (School of Education) at RMIT University on the ARC Discovery Project Making Histories: Young People as Visual Historians of Changing Cities. She lectures in contemporary art theory and research methods in the School of Art, chairs the School of Art Industry Advisory Committee, and is lead co-author of the forthcoming book Museums and Digital Social Futures: Audience Experiences in Everyday Life (Routledge). She holds a Bachelor of Fine Arts (Visual Arts) and a Master’s by Research from QUT, and a PhD from RMIT University.

Research fields

  • 3606 Visual arts
  • 430202 Critical heritage, museum and archive studies
  • 500107 Professional ethics
  • 360103 Art theory
  • 500302 Critical theory
  • 470204 Cultural and creative industries

UN sustainable development goals

  • 16 Peace, Justice and Strong Institutions
  • 13 Climate Action
  • 11 Sustainable Cities and Communities
  • 17 Partnerships for the Goals
  • 3 Good Health and Well Being
  • 4 Quality Education
  • 8 Decent Work and Economic Growth

Academic positions

  • Research Fellow (Making Histories: Young People as Visual Historians of Changing Cities)
  • RMIT University
  • School of Education
  • Melbourne, Australia
  • Mar 2026 – Present
  • Chair
  • RMIT University
  • School of Art Industry Advisory Committee
  • Melbourne, Australia
  • Mar 2024 – Present
  • Research Fellow (Museum Digital Social Futures)
  • RMIT University
  • School of Media and Communication
  • Melbourne, Australia
  • Dec 2023 – Jun 2026
  • Supervisor
  • RMIT University
  • School of Art
  • Melbourne, Australia
  • Mar 2022 – Present
  • Lecturer
  • RMIT University
  • School of Art
  • Melbourne, Australia
  • Mar 2020 – Present

Non-academic positions

  • Acting CEO/Director
  • Next Wave
  • Australia
  • 2023 – 2025
  • Co-Chair (Board)
  • Bus Projects
  • Australia
  • 2023 – 2025
  • Mentor – CEO Digital Mentoring Program
  • Australian Centre for the Moving Image
  • Melbourne, Australia
  • 2022 – 2022
  • Co-Director
  • Bus Projects
  • Australia
  • 2021 – 2022
  • Curator (Robotronica Festival)
  • Queensland University of Technology
  • Brisbane, Australia
  • 2017 – 2017
  • Public Programs Curator (STEAM)
  • Queensland University of Technology
  • Brisbane, Australia
  • 2012 – 2017
  • Gallery Manager
  • Jan Murphy Gallery
  • Australia
  • 2011 – 2012
  • Public Programs Curator
  • Ipswich Art Gallery
  • Australia
  • 2009 – 2011
  • Creative Producer (Digital Exhibitions and Public Programs)
  • Queensland University of Technology
  • Brisbane, Australia
  • 2008 – 2009

Teaching interests

Currently: 

 

  • Lecturer, Themes in Contemporary Creative Practice: Activism, Citizenship, Politics and Power (MFA, School of Art)
  • Lecturer and Turor, Research in Creative Practice (Hons, School of Art)
  • Lecturer and Tutor, Contextualising Art Practice (BFA, School of Art)

 

Research interests

  • Anti-Racist and Decolonial Practices in Contemporary Curatorial Practice
  • Careers and Employment Pathways into the Arts
  • Civic Role of Cultural Organisations
  • Climate Crisis and Arts Labour
  • Cultural Governance 
  • Cultural Studies
  • Curriculum and Public Pedagogy
  • Decolonisation
  • Infrastructural Critique
  • Interdisciplinary and Transdisciplinary Practice
  • Politics and Ethics of Care
  • Polycrisis
  • Socially Engaged Art
  • Visual Arts

Initiatives and links

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Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.

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