Andy Simionato has worked exclusively with Karen ann Donnachie in the expanded fields of computational art, design, and experimental publishing since the 1990s. Working across human and nonhuman collaborative systems to explore language, books, and technology.
The duo are art editors for Art+australia, the longest running art journal in Australia. They have won the Tokyo TDC award three times, and the Tokyo Type Directors Club Grand Prize, in 2024; their artworks and designs are exhibited in solo and group exhibitions internationally and are part of the collection of the German Museum of Books and Reading, in Leipzig, the National Library of Germany.
Andy Simionato's teaching practice includes: Electronic literature, and Future of the book, Machinic drawing, Electronic art, Speculative design, Book design, Publishing, and Artists' books.
Donnachie & Simionato's most recent research focuses on the human-nonhuman collaborative practices made possible by Computer Vision, Artificial Intelligence and Machine Learning, embodied in what they call autonomous-art-systems.
Electronic art, robotic drawing, collage. Design Practice, Film, Television and Digital Media, Visual Arts and Crafts, Art Theory and Criticism, Communication and Media Studies, Performing Arts and Creative Writing.
Acknowledgement of Country
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.