Chris Speed FRSE is Professor of Design for Regenerative Futures at RMIT, Melbourne, Australia, where he collaborates with a wide variety of communities and partners to explore how design provides methods to adapt toward becoming a regenerative society. Chris has an established track record in directing large complex grants and educational programmes with academic, industry and third sector partners, that apply design and data methods to social, environmental and economic challenges.
Industry Experience:
Chris has an established track record in directing large complex grants with academic, industry and third sector partners, that apply design and data methods to social, environmental and economic challenges.
From 2018-2024 Chris was Director for the £7.4m Creative Informatics R&D Partnership, one of the nine AHRC funded Creative Industries Clusters in the UK. Creative Informatics supported creatives in Edinburgh and South East Scotland to innovate with data and data-driven technologies. We worked with creative SMEs, entrepreneurs and larger creative and cultural organisations to undertake R&D. The programme developed a network of over 5000 creatives, trained 650+ in using data-driven technologies, funded 130+ projects, which developed 145+ new products & services, and secured over £6.78m in further funding and investment. Partners included CodeBase, the UK largest growing tech programme; Creative Edinburgh, a 5000 creative practitioners network; the BBC; National Galleries of Scotland; The List.
In parallel Chris was also Co-Investigator for the £5m / 5 year (2020-2025) Next Stage Digital Economy Centre DECaDE led by the University of Surrey with the Digital Catapult and University of Edinburgh. DECaDE is interested in decentralised platforms that are enabled by emerging data-centric technologies such as Artificial Intelligence, Distributed Ledgers and Blockchain that disrupt our social and cultural economies – including the way we work, interact and create value. Partners included the BBC, Tesco Bank, Nat West Bank, The Bank of England and many SME’s that sustain interests in emerging digital economies.
Chris also led the UK funded £1.1m OxChain project (2016-2020). OxChain was a collaborative research project between the Universities of Edinburgh, Northumbria and Lancaster, and research partners Oxfam, Zero Waste Scotland, Volunteer Scotland and WHALE Arts. By bringing together experts in digital design, cryptography, business and international development we developed new smart contracting donation products and services for Oxfam Australia that was launched as the ‘If / Then / Give’ app for iOS and Android.
Chris’ consultancy work has largely involved supporting organisations to understand how value is created within data-driven economies. His design thinking methods have been hired by private companies, governments and charity organisations including: Oxfam (GB and Aus), NatWest, UKRI, Asian Banking School, Franklin Templeton and Tesco Bank.
He is committed to working with communities to learn how best to support their interests and motivations through respectful and collaborative methods. His work in co-developing projects with the Wester Hailes community in Edinburgh remains a personal highlight of his career.
I have led 22 PhD students and one MPhil student to successful completion:
Dr. Elisa Giaccardi: Principles Of Metadesign, 2003
Dr. Olubusayo Tolulope Onabolu: Architecture and the Creation of Worlds, 2010
Dr. Uli Speirling: Implicit Creation: Non-Programmer Conceptual Models for Authoring in Interactive Digital Storytelling 2012, University of Plymouth.
Dr. Elif Ayiter: Creativity Enablement in a Metaverse 2012, University of Plymouth.
MPhil Klas Hyllen: THE UNCONSCIOUS LIFE OF OLD TOWN A Psychoanalytic Study Of Edinburgh’s Historic City 2012
Dr. Karlyn Sutherland: Attachment to Place: Towards a Design Methodology 2013
Dr. Larissa Pschetz: Temporal Design: design for a multi-temporal world 2015
Dr. Rocio von Jungenfeld: Creative Mediated Places: a practice-based investigation into the creative possibilities of media in public space. 2015
Dr. Ingi Helgason: Complex Pleasures: Interactions in new-media art as a resource for the design of the user-experience (Registered at Napier University). 2015
Dr. Dave Wood: Visual Communication and the Aesthetics of Use: A Visual Phenomenological Methodology. 2015
Dr. Gianni Corino: Extending Social Networks through Objects, Things and Props (Registered at the University of Plymouth. 2016
Dr. Montasir Masoud Abdullah Alabdulla: Towards more pedestrian-friendly urban streets - Changing human travel behaviour in hot-humid car-dependent society, with reference to Dammam City, Saudi Arabia; A socio-cultural approach. 2017
Dr. Karl Monsen: Better medical apps for healthcare practitioners through interdisciplinary collaboration: lesson from transfusion medicine. 2017
Dr. Duncan Shingleton: Data Led Design: A practice research approach to understand the role of objects in the Internet of Things. 2018
Dr. Fabrizio Gesuelli: Learning from Protest Un-mediating Architecture. 2018
Dr. Diego Zamora: Crafting In The Digital Age; 3d Printing And Contemporary Approaches To Craft. 2018
Dr. Matteo Ronzani: Designing for Complexity: Data Visualizations in Megaproject Management. 2018
Dr. Lore Said: Humanizing Domestic Environment Using Collapsibility Concept as a Design Strategy. 2018
Dr. Ian Lambert: Narratives of Making: Modes of Articulating Tacit Knowledge. 2019
Dr Hadi Mehrpouya: Disrupting surveillance: critical software design-led practice to obfuscate and reveal surveillance economies and knowledge monopolies. 2019
Dr Lucas Godfrey: Automated Map Content Selection for Multi-Modal Travel (funded by the EPSRC / Ordnance Survey). 2020
Dr Vikki Jones: Cultural Value in Edinburgh: how the city’s cultural sector communicates its value and values. 2023
Acknowledgement of Country
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.