Kirsten Haydon

Dr. Kirsten Haydon

Senior Lecturer

Details

Open to

  • Masters Research or PhD student supervision

About

Through her research, Dr Haydon investigates new and innovative ways of depicting and communicating the experience of Antarctica through the making and locating of objects. This research has provided new knowledge in the areas of enamelling and installation for object-based practice. Through this research, she has explored new material possibilities using traditional vitreous enamels in combination with new technologies and industrial materials. In 2004, Kirsten travelled as a New Zealand Antarctic Arts Fellow to Antarctica for her doctoral research project, Antarctic landscapes in the souvenir and jewellery, was completed in 2009.As an Early Career Academic Fellow, Kirsten's role is teaching and research in the School of Art, particularly within the area of enamelling, jewellery and object making.

Kirsten is a Category 1 Supervisor available to provide senior supervision to postgraduate research candidates in her areas of expertise.



SIGNIFICANT SOLO EXHIBITIONS
2000 Poppy’s Poppies, Royal Jewellery Studio, Auckland
2002 In the Drawer, Craft Victoria, Melbourne; touring exhibition Applied Arts West Gallery; Auckland Museum; The Dowse Art Museum, Wellington; Hawkes Bay Museum, Napier
2006 Room with a View, Christchurch Art Gallery, Christchurch
2007 On the Shelf, Gallery Funaki, Melbourne
2009 Ice Terrane, Objectspace, Auckland; Auckland Festival 2009 visual arts programme
2010 Ice Table, Toi, Osaka, Japan
2011 Ice Structure, Gallery Funaki, Melbourne
2012 Ice Record, The National, Christchurch; Ice Fest, Antarctic Festival programme
2012 Ice Mosaic, Objectspace, Auckland
2012 Icescape, Jewelerswerk, Washington DC, USA
2014 Ice Storeroom, Craft -ˇ Craft Victoria, Melbourne
2015 Ice filter, Te Uru, Waitakere Contemporary Gallery, Auckland, New Zealand
2017 Flowers of War, Canterbury Museum, Christchurch
2018 Flowers of War, Royal West of England Academy, Bristol
2018-Current Flowers of War, Shrine of Remembrance, Melbourne
2023 Ice Holds, Australian Design Centre


PRIZES AND AWARDS
2003 Kurt Albrecht Award for Jewellery, Ernest Leviny Commemorative Silver Exhibition, Buda Historic Home and garden, Castlemaine
2004-2005 Antarctic Arts Fellowship, New Zealand
2005 Thomas Gold Award, The Dowse, Wellington
2006 Teaching Award, Early Career Academic, Design and Social Context Portfolio, RMIT University, Melbourne
2007 Diana Morgan RMIT Postgraduate Gold and Silversmithing Prize (First Prize), RMIT University, Melbourne
2009 Ronnie Bauer RMIT Postgraduate Gold and Silversmithing Travelling Prize
2017 Lynne Kosky Jewellery Award, Victorian Craft Awards, CRAFT, Melbourne
2021 JMGA NSW Bundanon Fellowship residency award
2022 Australian Design Centre Award, Profile: Contemporary Jewellery and Object Award (2022), Australian Design Centre
2023 Contemporary Wearables, Toowoomba Regional Art Gallery, Toowoomba


WORKS IN PUBLIC COLLECTIONS
Musée des Arts Décoratifs, Paris, France
Antarctica New Zealand, Christchurch, NZ
Te Papa, Museum of New Zealand, Wellington, NZ
The Dowse, Wellington, NZ
RMIT Union Arts Collection, RMIT University, Melbourne, Australia
The W.E McMillan Collection, RMIT University, Melbourne, Australia
The National Gallery of Victoria, Melbourne, Australia
Ville de Cagnes-sur-Mer, France, Australia
Toowoomba Regional Art Gallery, Toowoomba


Significant group exhibitions (since 2005)
2012 Heat Exchange, Shermer Arts Center, Arizona
2012 Mirror Mirror, Espace Solidor, Haute-de-Cagnes, France
2012 Enamel – A Renaissance, Galerie Handwerk, Munich, Germany
2011 Jewellery Unleashed! Museum for Moderne Art, Arnhem, Netherlands
2011 Fuse Contemporary Enamel, Flow Gallery, London
2011 Neuer Schmuck, Maximilians Forum, Munich
2011 Schmuck 2011, Internationale Handwerksmesse, Munich; touring exhibition Espace Solidor, Haute-de-Cagnes, France
2010 Small Stories, The New Dowse, Wellington
2010 By Example: Australian Contemporary Jewellery, the Museum of arts and Crafts, Itami, Japan
2010 Treasure Room - Schatzkammer Australien, Galerie Handwerk, Munich, Germany
2009 Four jewellers – Melbourne Australie, Espace Solidor, Haute-de-Cagnes, France
2009 Jewellery Topos, Gallerie Marzee, Nijmegen
2008 Cold Front, Macquarie City Art Gallery, New South Wales
2008 Melt, Project Space, RMIT Univeristy; touring, The University Art Gallery, The University of Sydney
2008 Sinfonia Antarctica, The New Dowse, Wellington
2008 Schmuck 2008, Internationale Handwerksmesse, Munich; touring exhibition Birmingham City University Gallery, Birmingham, Miejska Galeria Sztuki, Lodzi
2006 The Cicely & Colin Rigg Contemporary Design Award 2006, National Gallery of Victoria, Melbourne

Supervisor projects

  • Against nature, a material re-telling of a colonised river
  • 30 May 2024
  • Crafting connections: How emergent material practices in jewellery build community.
  • 9 Sep 2022
  • Perfection in Imperfection: "Incomplete Beauty" in Contemporary Jewellery
  • 28 Jun 2022
  • Urban Jewels (working title) - material disobedience expressed through the making and wearing of jewellery forms
  • 17 May 2022
  • Making Tools: Exploring Process in Jewellery and Objects
  • 22 Nov 2019
  • Artificial Novelties
  • 27 Jun 2019
  • Twenty-First Century Pearls: The Culture of the Pearl in Jewellery and Objects
  • 19 Jun 2018
  • Machine Aesthetics: Revaluing and Reinterpreting the Manufacturing Process of the Assembly Line
  • 3 Apr 2018
  • Material Sites: Observations of the Australian Steel Industry Through the Vessel
  • 1 Feb 2018
  • Weaving from the Margin:Femininity in contemporary jewellery within a Taiwanese cultural context
  • 10 Oct 2014

Teaching interests

Supervision projects since 2004
3 PhD Completions and 5 Masters by Research Completions
4 PhD Current Supervisions and 1 Masters by Research Current Supervisions

Practice-led & project based research, material art practices, art and object making, contemporary jewellery, enamelling, goldsmithing, silversmithing, micromosaics, Antarctica, landscape and environment, notions of the souvenir, photography and objects

Research interests

Research supervision
Kirsten is a registered Category 1 research supervisor in the areas of:

Practice-led research

Project-based research

Material art practices

Art and object making

Contemporary jewellery

Enamelling

Goldsmithing

Silversmithing

Micromosaics

Antarctica

Landscape and environment

Notions of the souvenir

Photography and object making

Installation of objects

Narrative
aboriginal flag
torres strait flag

Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.