Amy is a Vice Chancellor’s Postdoctoral Research Fellow at RMIT School of Art. She is a practicing artist, curator, writer and researcher in the field of public and socially engaged art.
Amy's socially engaged, critical art practice and research aims to prompt questions and debate about present society particularly about the gaps and silences in public discourse where difficult histories and social issues are overlooked or smoothed over.
As an artist, Amy has been commissioned to present numerous art projects across Australia and internationally, including at Fremantle Arts Centre, Monash University Museum of Art (Melbourne), the Museum für Neue Kunst (Freiburg), MONA FOMA (Hobart) and the 2015 Vienna Biennale. Additionally, Amy has curated and produced a number of symposia, exhibitions and public engagement programs including "Counter-monuments: Indigenous settler relations in Australian contemporary art and memorial practices" with Genevieve Grieves and hosted by Australian Centre of Contemporary Art (ACCA) in March 2021.
Amy has also published work widely in academic journals, exhibition catalogues and art magazines, including writing for Artlink, Public Art Dialogue, Museum of Contemporary Art, and the Journal of Arts and Communities. Most recently she co-edited "Let's Go Outside: Art in Public" with Charlotte Day and Callum Morton for Monash University Museum of Art (Monash University Publishing 2022) and co-authored "Art/Work: Social Enterprise, Young Creatives & the Forces of Marginalisation" with Dr Grace McQuilten, Associate Professor Kim Humphery and Professor Peter Kelly (Palgrave Pivot, forthcoming 2022).
Industry Experience:
Socially engaged art practice, curating and producing.
Supervisor projects
Home is where the art is: The artist¿s house as a site for hosting participatory artworks
1 Mar 2024
Feeling Like a Zombie: Writing Neuroqueerness for Performance
8 Jan 2024
The Public Sphere: This Is How We Roll Now
28 Jun 2022
Picking Up The Pieces: Reconfiguring Australian Landscape Photography
1 May 2022
White Gold: Performing the Politics of Porcelain
10 Dec 2019
Teaching interests
Socially engaged, public and activist art; performance and participatory art; decolonisation of settler memorials and counter-monument practices; Indigenous settler relations in contemporary art; politics of listening, media theory and media activism; politics of public space; anti-racist and critical whiteness practices in contemporary art.
Research interests
Visual Arts and Crafts, Cultural Studies, Curriculum and Pedagogy
Acknowledgement of Country
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.